The Poetical Works of Thomas Campbell — John Shaqi
The Poetical Works of Thomas CampbellCampbell, Thomas
General
The Poetical Works of Thomas Campbell
Campbell, Thomas
English poetry -- Scottish authors
In 1798 the poet proceeded to Edinburgh, determined to try his fortune in
the Scottish metropolis. He had an introduction to Dr. Robert Anderson,
who, struck with his ability, recommended him to Mr. Mundell, the
publisher. Mr. Mundell at once gave him literary work, his first task
being to compile an abridgment of Bryan Edward’s _West Indies_. He also
obtained pupils, and thus managed to secure a comfortable livelihood.
But by degrees the love of poetry grew too strong for this routine of
industry, and he gradually devoted himself to the composition of the
_Pleasures of Hope_. Campbell’s life at this time must have been a very
happy one. He was enraptured with his task, and he had many and kind
friends in Edinburgh—amongst them was Francis (afterwards Lord) Jeffrey.
To his aunt Mrs. Campbell, and to his beautiful cousin Margaret, who
resided in Edinburgh, he used to read his verses, and was cheered and
encouraged by their applause.
When the poem was finished, Dr. Anderson took it to Mr. Mundell, who,
after some consideration, offered the poet £60 for it, an offer which was
accepted.
The poem appeared, and Campbell at once became famous. Everywhere it was
read and admired, and it secured to the Author a permanent reputation
at the age of twenty-one. The _Pleasures of Hope_ went through four
editions in a year. In the second edition several new and remarkably fine
passages were introduced.
In 1800 Campbell left Scotland in order to visit Germany. He landed at
Hamburg; and proceeded, after a short residence there, to Ratisbon,
which he reached only three days before the French took it, and was,
consequently, obliged to seek a refuge with the monks of the Benedictine
College; from the walls of which he beheld a cavalry charge made by the
German horse on the French under Grenier. The scenes of war through
which it was now his fate to pass, no doubt suggested his fine lyric of
_Hohenlinden_, though he was not a spectator of the fight (Dr. Beattie
tells us)—it occurred after he had left the scene of war.
Public-domain text, read in full here on John Shaqi.
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