On arriving in London, which was either in 1743 or 1744, he became, says Johnson, "a literary adventurer, with many projects in his head and very little money in his pocket." Collins was not without some reputation as an author when he proposed to adopt the most uncertain and deplorable of all professions, that of literature, for a subsistence. Whilst at Winchester school he wrote his Eclogues, and had appeared before the public in some verses addressed to a lady weeping at her sister's marriage, which were printed in the Gentleman's Magazine, Oct. 1739, when Collins was in his eighteenth year. In January, 1742, he published his Eclogues, under the title of "Persian Eclogues;"[2] and, in December, 1743, his "Verses to Sir Thomas Hanmer on his Edition of Shakespeare," appeared. To neither did he affix his name, but the latter was said to be by "a Gentleman of Oxford." From the time he settled in London, his mind was more occupied with literary projects than with steady application; nor had poesy, for which Nature peculiarly designed him, sufficient attractions to chain his wavering disposition. It is not certain whether his irresolution arose from the annoyance of importunate debtors, or from an original infirmity of mind, or from these causes united. A popular writer[3] has defended Collins from the charge of irresolution, on the ground that it was but "the vacillations of a mind broken and confounded;" and he urges, that "he had exercised too constantly the highest faculties of fiction, and precipitated himself into the dreariness of real life." But this explanation does not account for the want of steadiness which prevented Collins from accomplishing the objects he meditated. His mind was neither "broken nor confounded," nor had he experienced the bitter pangs of neglect, when with the buoyancy of hope, and a full confidence in his extraordinary powers, he threw himself on the town, at the age of twenty-three, intending to live by the exercise of his talents; but his indecision was then as apparent as at any subsequent period, so that, in truth, the effect preceded the cause to which it has been assigned. Mankind are becoming too much accustomed to witness splendid talents and great firmness of mind united in the same person to partake the mistaken sympathy which so many writers evince for the follies or vices of genius; nor will it much longer tolerate the opinion, that the possession of the finest imagination, or the highest poetic capacity, must necessarily be accompanied by eccentricity. It may, indeed, be difficult to convert a poetical temperament into a merchant, or to make the man who is destined to delight or astonish mankind by his conceptions, sit quietly over a ledger; but the transition from poetry to the composition of such works as Collins planned is by no means unnatural, and the abandonment of his views respecting them must, in justice to his memory, be attributed to a different cause.