The Poetical Works of William Collins; With a MemoirCollins, William
General
The Poetical Works of William Collins; With a Memoir
Collins, William
Poetry
The most probable reason is, that these works were mere speculations to
raise money, and that the idea was not encouraged by the booksellers;
but if, as Johnson, who knew Collins well, asserts, his character wanted
decision and perseverance, these defects may have been constitutional,
and were, perhaps, the germs of the disease which too soon ripened into
the most frightful of human calamities. Endued with a morbid
sensibility, which was as ill calculated to court popularity as to bear
neglect; and wanting that stoical indifference to the opinions of the
many, which ought to render those who are conscious of the value of
their productions satisfied with the approbation of the few; Collins was
too impatient of applause, and too anxious to attain perfection, to be a
voluminous writer. To plan much rather than to execute any thing; to
commence to-day an ode, to-morrow a tragedy, and to turn on the
following morning to a different subject, was the chief occupation of
his life for several years, during which time he destroyed the principal
part of the little that he wrote. To a man nearly pennyless, such a life
must be attended by privations and danger; and he was in the hands of
bailiffs, possibly not for the first time, very shortly before he became
independent by the death of his maternal uncle, Colonel Martyn. The
result proved that his want of firmness and perseverance was natural,
and did not arise from the uncertainty or narrowness of his fortune; for
being rescued from imprisonment, on the credit of a translation of
Aristotle's Poetics, which he engaged to furnish a publisher, a work, it
may be presumed, peculiarly suited to his genius, he no sooner found
himself in the possession of money by the death of his relative, than he
repaid the bookseller, and abandoned the translation for ever.
From the commencement of his career, Collins was, however, an object
for sympathy instead of censure; and though few refuse their compassion
to the confirmed lunatic, it is rare that the dreadful state of
irresolution and misery, which sometimes exist for years before the
fatal catastrophe, receives either pity or indulgence.
In 1747, Collins published his Odes, to the unrivaled splendour of a few
of which he is alone indebted for his fame; but neither fame nor profit
was the immediate result; and the author of the Ode on the Passions had
little reason to expect, from its reception by the public, that it was
destined to live as long as the passions themselves animate or distract
the world.
Public-domain text, read in full here on John Shaqi.
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