The poetry of Robert BrowningBrooke, Stopford A. (Stopford Augustus)
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The poetry of Robert Browning
Brooke, Stopford A. (Stopford Augustus)
Browning, Robert, 1812-1889 -- Criticism and interpretation
She is herself lovely. Valence loves her at sight. Her love for Valence
is born before she knows it, and the touch of jealousy, which half
reveals it to her, is happily wrought by Browning. When she finds out
that Valence did for love of her what she thought was done for loyalty
alone to her, she is a little revolted; her single-heartedness is
disappointed. She puts aside her growing love, which she does not know
as yet is love, and says she will find out if Berthold wishes to marry
her because he loves her, or for policy. Berthold is as honest as she
is, and tells her love has nothing to do with the matter. The thought of
an untrue life with Berthold then sends her heart with a rush back to
Valence, and she chooses love and obscurity with Valence. It is the
portrait of incarnate truth, in vivid contrast to Constance, who is a
liar in grain.
Constance is the heroine of the fragment of a drama called _In a
Balcony_. Norbert, a young diplomat, has served the Queen, who is fifty
years old, for a year, all for the love of Constance, a cousin and
dependent of the Queen. He tells Constance he will now, as his reward,
ask the Queen for her hand. Constance says, "No; that will ruin us both;
temporise; tell the Queen, who is hungry for love, that you love her;
and that, as she cannot marry a subject, you will be content with me,
whom the Queen loves." Norbert objects, and no wonder, to this lying
business, but he does it; and the Queen runs to Constance, crying, "I am
loved, thank God! I will throw everything aside and marry him. I
thought he loved you, but he loves me." Then Constance, wavering from
truth again, says that the Queen is right. Norbert does love her. And
this is supposed by some to be a noble self-sacrifice, done in pity for
the Queen. It is much more like jealousy.
Then, finding that all Norbert's future depends on the Queen, she is
supposed to sacrifice herself again, this time for Norbert's sake. She
will give him up to the Queen, for the sake of his career; and she tells
the Queen, before Norbert, that he has confessed to her his love for the
Queen--another lie! Norbert is indignant--he may well be--and throws
down all this edifice of falsehood. The Queen knows then the truth, and
leaves them in a fury. Constance and Norbert fly into each other's arms,
and the tramp of the soldiers who come to arrest them is heard as the
curtain falls.
Public-domain text, read in full here on John Shaqi.
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