Fiction -- History and criticism; Political fiction -- History and criticism; Politics in literature
=George Weller: International Communism.= In 1949 George Weller’s _The
Crack in the Column_ drew attention to one of the widespread areas
in which the Comintern was trying to extend Russian domination. The
scene is Greece. The novel reaches its climax when ELAS, the army of
the Communist-dominated EAM popular front group, fights the British in
the streets of Athens while the American army contains the Germans’
last great effort in the Ardennes. Shot down earlier on a mission,
American bomber pilot Tommy McPhail decides not to be evacuated by
the underground net of British Major Walker. He remains to engage in
similar behind-the-lines work. Walker becomes McPhail’s tutor in global
politics as well as espionage. His primary subject is the need for
the United States to accept responsibility for creating international
conditions favorable to the West, as he says Britain has done. Walker
tells McPhail that the United States must learn to recognize Soviet
strategy and combat it by such means as permanent American bases in
the Middle East. Once again, the most explicit statement of the book’s
message is saved for the end:
You Americans just pay your way out of the positions of the last
war, then [help] your way back into the same positions in the next.
You forget that war is continuous and this everlasting series of
visits to the strategic pawnshop a wasteful streak of postponement
of the eventual showdown.
Like many other novels which can be regarded accurately as political
instruments, this one, with its accomplished delineation of a complex
situation, tangled relationships, and deep cross-currents, contains
no direct appeals to the reader. Neither does it have any scowling
villains or radiant heroes. But the portrayal of the growing political
maturity of the naïve American under the tutelage of the able but weary
Englishman may perhaps achieve the same effect, and do it better.
Public-domain text, read in full here on John Shaqi.
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