The Popish Plot: A study in the history of the reign of Charles IIPollock, John
History
The Popish Plot: A study in the history of the reign of Charles II
Pollock, John
Popish Plot, 1678
For Coleman undertook the difficult
task of agent between Louis XIV and the mercenary Whigs. More than
three thousand pounds can be traced passing through his hands. The
leaders of the opposition had their price at some five hundred guineas;
but these took their money direct from the ambassador. Coleman dealt
with the rank and file, and here the gold, which among the more exalted
would have soon been exhausted, probably went far. He kept a sumptuous
table for his friends and laid up for himself what he gained by way of
commission. Knowledge of foreign languages, a ready pen, and his Jesuit
connection marked Coleman as the man for the duke’s service. He had
all the talents for the post save one. James’ want of discretion was
reflected in his secretary. Twice Coleman was dismissed; the dismissal
was apparent only, and he continued work as busily as before. He had
occupied himself in writing seditious letters to rouse discontent in
the provinces against the government. Complaint was made. Coleman was
discharged from his place by the duke. He was immediately taken into
the service of the duchess in the same capacity. Some years later his
zeal brought him into collision with the Bishop of London. Compton went
to the king and obtained an order to the duke to dismiss his wife’s
secretary. The French ambassador was much perturbed and pressed James
to afford protection, Coleman received his dismissal and took ship to
Calais. His Jesuit friends sent the news sadly one to another. His very
talents, it was said, had destroyed him. He was too much in the duke’s
counsels. His enemies could not countenance the presence of a man of
such parts. The duchess chose a new secretary. Within a fortnight
Coleman returned, and in secret resumed his office. He was in the
duke’s confidence and necessary to him.[48] Altogether Coleman was not
quite the innocent lamb that he has often been painted.
Public-domain text, read in full here on John Shaqi.
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