The second part of the pageant opened in July 1914. Once again the rulers were feasting and the workers at toil, but the scene was enlivened by the presence of the leaders of the Second International, a group of decrepit professorial old men, who waddled in in solemn procession carrying tomes full of international learning. They sat in a row between the rulers and the people, deep in study, spectacles on nose. The call to war was the signal for a dramatic appeal from the workers to these leaders, who refused to accept the Red Flag, but weakly received patriotic flags from their respective governments. Jaures, elevated to be the symbol of protest, towered above the people, crying in a loud voice, but fell back immediately as the assassin's shot rang out. Then the people divided into their national groups and the war began. It was at this point that "God Save the King" was played as the English soldiers marched out, in a comic manner which made one think of it as "_Gawd_ save the King." Other national anthems were burlesqued in a similar fashion, but none quite so successfully. A ridiculous effigy of the Tsar with a knout in his hand now occupied the symbolic position and dominated the scene. The incidents of the war which affected Russia were then played. Spectacular cavalry charges on the road, marching soldiers, batteries of artillery, a pathetic procession of cripples and nurses, and other scenes too numerous to describe, made up that part of the pageant devoted to the war. Then came the Russian Revolution in all its stages. Cars dashed by full of armed men, red flags appeared everywhere, the people stormed the citadel and hauled down the effigy of the Tsar. The Kerensky Government assumed control and drove them forth to war again, but soon they returned to the charge, destroyed the Provisional Government, and hoisted all the emblems of the Russian Soviet Republic. The Entente leaders, however, were seen preparing their troops for battle, and the pageant went on to show the formation of the Red Army under its emblem the Red Star. White figures with golden trumpets appeared foretelling victory for the proletariat. The last scene, the World Commune, is described in the words of the abstract, taken from a Russian newspaper, as follows:--