English literature; Shakespeare, William, 1564-1616 -- Appreciation
It is difficult in the face of these pros and cons to determine
what Johnson’s attitude towards Shakespeare really was. Much of his
apparent hostility may, perhaps, be attributed to his instinctive
argumentativeness. It was his nature to object. If he were in a
loquacious mood, you had but to make a bald statement, and he was
upon you with an aggressively persuasive “Why, sir!” And here it may
be that he felt irresistibly impelled to combat the universal opinion
of Shakespeare’s greatness, and that he was hardly sincere in all he
wrote. However this may be, it is probable that he left on his readers
the impression that the balance of his inclination was against rather
than for Shakespeare. The very fact of the judicial attitude would
tend to produce such an impression. A judicial attitude towards
Shakespeare was not at that period so well understood as to be readily
distinguished from unfriendliness. And in estimating the critical
attitude of the age towards Shakespeare, it is necessary to bear in
mind that Dr. Johnson was a more important person when he lived than he
is now. Nothing is gained by speculating what he might have thought.
The fact remains that what he wrote carried weight.
Johnson’s opinion was not, however, sufficiently weighty to make his
preface, as he intended it to be, the last word in Shakespearean
criticism. Other editors followed him. Edward Capell brought much
serious and laborious scholarship to the task; and his judgments were
frequently sound, though his lack of perspicuity in delivering them
detracts somewhat from their value. His edition appeared in 1768. Five
years later, in 1773, George Steevens revised Johnson’s edition, and,
bringing to the enterprise an unrivalled knowledge of Elizabethan
history and literature, embodied many improvements, which he treated
with a humour that was frequently malicious and occasionally obscene.
To the second edition (1778) of this work was added much valuable
material relating to Shakespeare’s biography and the sources of his
plots, due to the researches of Edmund Malone, who published an
edition of his own in 1790. The well-known “First Variorum” edition
appeared in twenty-one volumes in 1803, prepared by Isaac Reed from a
1793 copy of Steevens’, containing many manuscript notes. The “Second
Variorum” appeared in 1813; and the “Third Variorum,” arranged by James
Boswell, the son of Johnson’s biographer, which appeared in 1821, marks
the close of what may be called the eighteenth century period of
commentators.
Public-domain text, read in full here on John Shaqi.
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