London (England) -- Social life and customs -- 19th century -- Fiction
“The show-room is on the right hand,” said Miss Pynsent, with her
professional manner, which was intended, evidently, to mark a
difference. She spoke as if on the other side, where the horizon was
bounded by the partition of the next house, there were labyrinths of
apartments. Passing in after her guest she found the young lady already
spread out upon the sofa, the everlasting sofa, in the right-hand
corner as you faced the window, covered with a light, shrunken shroud
of a strange yellow stuff, the tinge of which revealed years of
washing, and surmounted by a coloured print of Rebekah at the Well,
balancing, in the opposite quarter, with a portrait of the Empress of
the French, taken from an illustrated newspaper and framed and glazed
in the manner of 1853. Millicent looked about her, asking herself what
Miss Pynsent had to show and acting perfectly the part of the most
brilliant figure the place had ever contained. The old implements were
there on the table: the pincushions and needle-books; the pink
measuring-tape with which, as children, she and Hyacinth used to take
each other’s height; and the same collection of fashion-plates (she
could see in a minute), crumpled, sallow and fly-blown. The little
dressmaker bristled, as she used to do, with needles and pins (they
were stuck all over the front of her dress), but there were no rustling
fabrics tossed in heaps about the room—nothing but the skirt of a
shabby dress (it might have been her own), which she was evidently
repairing and had flung upon the table when she came to the door. Miss
Henning speedily arrived at the conclusion that her hostess’s business
had not increased, and felt a kind of good-humoured, luxurious scorn of
a person who knew so little what was to be got out of London. It was
Millicent’s belief that she herself was already perfectly acquainted
with the resources of the metropolis.
“Now tell me, how is Hyacinth? I should like so much to see him,” she
remarked, extending a pair of large protrusive feet and supporting
herself on the sofa by her hands.
“Hyacinth?” Miss Pynsent repeated, with majestic blankness, as if she
had never heard of such a person. She felt that the girl was cruelly,
scathingly, well dressed; she couldn’t imagine who she was, nor with
what design she could have presented herself.
“Perhaps you call him Mr Robinson, to-day—you always wanted him to hold
himself so high. But to his face, at any rate, I’ll call him as I used
to: you see if I don’t!”
“Bless my soul, you must be the little ’Enning!” Miss Pynsent
exclaimed, planted before her and going now into every detail.
“Well, I’m glad you have made up your mind. I thought you’d know me
directly. I had a call to make in this part, and it came into my ’ead
to look you up. I don’t like to lose sight of old friends.”
“I never knew you—you’ve improved so,” Miss Pynsent rejoined, with a
candour justified by her age and her consciousness of respectability.
Public-domain text, read in full here on John Shaqi.
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