London (England) -- Social life and customs -- 19th century -- Fiction
“Well, _you_ haven’t changed; you were always calling me something
horrid.”
“I dare say it doesn’t matter to you now, does it?” said the
dressmaker, seating herself, but quite unable to take up her work,
absorbed as she was in the examination of her visitor.
“Oh, I’m all right now,” Miss Henning replied, with the air of one who
had nothing to fear from human judgments.
“You were a pretty child—I never said the contrary to that; but I had
no idea you’d turn out like this. You’re too tall for a woman,” Miss
Pynsent added, much divided between an old prejudice and a new
appreciation.
“Well, I enjoy beautiful ’ealth,” said the young lady; “every one
thinks I’m twenty.” She spoke with a certain artless pride in her
bigness and her bloom, and as if, to show her development, she would
have taken off her jacket or let you feel her upper arm. She was very
handsome, with a shining, bold, good-natured eye, a fine, free, facial
oval, an abundance of brown hair, and a smile which showed the
whiteness of her teeth. Her head was set upon a fair, strong neck, and
her tall young figure was rich in feminine curves. Her gloves, covering
her wrists insufficiently, showed the redness of those parts, in the
interstices of the numerous silver bracelets that encircled them, and
Miss Pynsent made the observation that her hands were not more delicate
than her feet. She was not graceful, and even the little dressmaker,
whose preference for distinguished forms never deserted her, indulged
in the mental reflection that she was common, for all her magnificence;
but there was something about her indescribably fresh, successful and
satisfying. She was, to her blunt, expanded finger-tips, a daughter of
London, of the crowded streets and hustling traffic of the great city;
she had drawn her health and strength from its dingy courts and foggy
thoroughfares, and peopled its parks and squares and crescents with her
ambitions; it had entered into her blood and her bone, the sound of her
voice and the carriage of her head; she understood it by instinct and
loved it with passion; she represented its immense vulgarities and
curiosities, its brutality and its knowingness, its good-nature and its
impudence, and might have figured, in an allegorical procession, as a
kind of glorified townswoman, a nymph of the wilderness of Middlesex, a
flower of the accumulated parishes, the genius of urban civilisation,
the muse of cockneyism. The restrictions under which Miss Pynsent
regarded her would have cost the dressmaker some fewer scruples if she
had guessed the impression she made upon Millicent, and how the whole
place seemed to that prosperous young lady to smell of poverty and
failure. Her childish image of Miss Pynsent had represented her as
delicate and dainty, with round loops of hair fastened on her temples
by combs, and associations of brilliancy arising from the constant
manipulation of precious stuffs—tissues at least which Millicent
regarded with envy.
Public-domain text, read in full here on John Shaqi.
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