London (England) -- Social life and customs -- 19th century -- Fiction
The little dressmaker, who in the course of her
life had known no Frenchwoman but the unhappy Florentine (so favourable
a specimen till she began to go wrong), adopted his suggestion, in the
hope that she should get a few ideas from a lady whose appearance would
doubtless exemplify (as Florentine’s originally had done) the fine
taste of her nation; but she found the bookbinder and his wife a
bewildering mixture of the brilliant and the relaxed, and was haunted,
long afterwards, by the memory of the lady’s calico jacket, her
uncorseted form and her carpet slippers.
The acquaintance, none the less, was sealed three months later by a
supper, one Sunday night, in Lisson Grove, to which Mr Vetch brought
his fiddle, at which Amanda presented to her hosts her adoptive son,
and which also revealed to her that Madame Poupin could dress a
Michaelmas goose, if she couldn’t dress a fat Frenchwoman. This lady
confided to the fiddler that she thought Miss Pynsent exceedingly
_comme il faut—dans le genre anglais;_ and neither Amanda nor Hyacinth
had ever passed an evening of such splendour. It took its place, in the
boy’s recollection, beside the visit, years before, to Mr Vetch’s
theatre. He drank in the conversation which passed between that
gentleman and M. Poupin. M. Poupin showed him his bindings, the most
precious trophies of his skill, and it seemed to Hyacinth that on the
spot he was initiated into a fascinating mystery. He handled the books
for half an hour; Anastasius Vetch watched him, without giving any
particular sign. When, therefore, presently, Miss Pynsent consulted her
friend for the twentieth time on the subject of Hyacinth’s ‘career’—she
spoke as if she were hesitating between the diplomatic service, the
army and the church—the fiddler replied with promptitude, “Make him, if
you can, what the Frenchman is.” At the mention of a handicraft poor
Pinnie always looked very solemn, yet when Mr Vetch asked her if she
were prepared to send the boy to one of the universities, or to pay the
premium required for his being articled to a solicitor, or to make
favour, on his behalf, with a bank-director or a mighty merchant, or,
yet again, to provide him with a comfortable home while he should woo
the muse and await the laurels of literature—when, I say, he put the
case before her with this cynical, ironical lucidity, she only sighed
and said that all the money she had ever saved was ninety pounds,
which, as he knew perfectly well, it would cost her his acquaintance
for evermore to take out of the bank. The fiddler had, in fact,
declared to her in a manner not to be mistaken that if she should
divest herself, on the boy’s account, of this sole nest-egg of her old
age, he would wash his hands of her and her affairs. Her standard of
success for Hyacinth was vague, save on one point, as regards which she
was passionately, fiercely firm; she was perfectly determined he should
never go into a small shop. She would rather see him a bricklayer or a
Public-domain text, read in full here on John Shaqi.
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