London (England) -- Social life and customs -- 19th century -- Fiction
When Pinnie replied to the stationer round the corner, after he had
mentioned the ‘terms’ on which he was prepared to receive applications
from errand-boys, that, thank heaven, she hadn’t sunk so low as that—so
low as to sell her darling into slavery for three shillings a week—he
felt that she only gave more florid expression to his own sentiment. Of
course, if Hyacinth did not begin by carrying parcels he could not hope
to be promoted, through the more refined nimbleness of tying them up,
to a position as accountant or bookkeeper; but both the fiddler and his
friend—Miss Pynsent, indeed, only in the last resort—resigned
themselves to the forfeiture of this prospect. Mr Vetch saw clearly
that a charming handicraft was a finer thing than a vulgar ‘business’,
and one day, after his acquaintance with Eustache Poupin had gone a
considerable length, he inquired of the Frenchman whether there would
be a chance of the lad’s obtaining a footing, under his own wing, in Mr
Crookenden’s workshop. There could be no better place for him to
acquire a knowledge of the most delightful of the mechanical arts; and
to be received into such an establishment, and at the instance of such
an artist, would be a real start in life. M. Poupin meditated, and that
evening confided his meditations to the companion who reduplicated all
his thoughts and understood him better even than he understood himself.
The pair had no children, and had felt the defect; moreover, they had
heard from Mr Vetch the dolorous tale of the boy’s entrance into life.
He was one of the disinherited, one of the expropriated, one of the
exceptionally interesting; and, moreover he was one of themselves, a
child, as it were, of France, an offshoot of the sacred race. It is not
the most authenticated point in this veracious history, but there is
strong reason to believe that tears were shed that night, in Lisson
Grove, over poor little Hyacinth Robinson. In a day or two M. Poupin
replied to the fiddler that he had now been several years in Mr
Crookenden’s employ; that during that time he had done work for him
that he would have had _bien du mal_ to get done by another, and had
never asked for an indulgence, an allowance, a remission, an
augmentation. It was time, if only for the dignity of the thing, he
should ask for something, and he would make their little friend the
subject of his demand. “_La société lui doit bien cela_,” he remarked
afterwards, when, Mr Crookenden proving drily hospitable and the
arrangement being formally complete, Mr Vetch thanked him, in his
kindly, casual, bashful English way. He was paternal when Hyacinth
began to occupy a place in the malodorous chambers in Soho; he took him
in hand, made him a disciple, the recipient of a precious tradition,
discovered in him a susceptibility to philosophic as well as technic
truth. He taught him French and socialism, encouraged him to spend his
evenings in Lisson Grove, invited him to regard Madame Poupin as a
Public-domain text, read in full here on John Shaqi.
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