The Princess Casamassima (Volume 2 of 2) — John Shaqi
The Princess Casamassima (Volume 2 of 2)James, Henry
General
The Princess Casamassima (Volume 2 of 2)
James, Henry
London (England) -- Social life and customs -- 19th century -- Fiction
“And why should he have wanted you in particular?”
“Simply because I struck him as the right person. That’s his affair:
I can’t tell you. When he meets the right person he chalks him. I
sat on the bed. There were only two chairs in the dirty little room
and by way of curtain his overcoat was hung up before the window. He
himself didn’t sit; he leaned against the wall straight in front of
me, his hands behind him. He told me certain things and his manner was
extraordinarily quiet. So was mine, I think I may say; and indeed it
was only poor Poupin who made a row. It was for my sake somehow: he
didn’t think we were all conscious enough; he wanted to call attention
to my sublimity. There was no sublimity about it—I simply couldn’t help
myself. He and the other German had the two chairs and Muniment sat
on a queer old, battered, hair-covered trunk, a most foreign-looking
article.” Hyacinth had taken no notice of the little ejaculation with
which his companion greeted in this last sentence the word “other.”
“And what did Mr. Muniment say?” she presently asked.
“Oh he said it was all right. Of course he thought so from the moment
he determined to bring me. He knew what the other fellow was looking
for.”
“I see.” Then the Princess added: “We’ve a curious way of being fond of
you.”
“Whom do you mean by ‘we’?”
“Your friends. Mr. Muniment and I for instance.”
“I like it as well as any other. But you don’t feel alike. I’ve an idea
you yourself are sorry.”
“Sorry for what?”
“That I’ve put my head into a noose.”
“Ah you’re rather snubby—I thought I concealed it so well!” the
Princess cried. He recognised that his discrimination had been
invidious, as there might have been for an instant a hint of tears
in her voice. She looked away from him, and it was after this that,
stopping short, she remarked as I have related: “Your man’s Diedrich
Hoffendahl.”
Hyacinth took it with a stare and parted lips. “Well, you _are_ in
it—more than I supposed!”
“You know he doesn’t trust women,” his companion smiled.
“Why in the world should you have cared for any light _I_ can throw if
you’ve ever been in relation with him?”
She hesitated a little. “Oh you’re very different. I like you better,”
she added.
“Ah if it’s for that!” murmured Hyacinth.
The Princess coloured as he had seen her colour before, and in
this liability on her part there was even after repetition an
unexpectedness, something all too touching. “Don’t try to fix my
inconsistencies on me,” she said with a humility that matched her
blush. “Of course there are plenty of them, but it will always be
kinder of you to let them pass. Besides, in this case they’re not so
serious as they seem. As a product of the ‘people’ and of that strange
fermenting underworld (what you say of it’s so true!) you interest me
more and have more to say to me even than Hoffendahl—wonderful creature
as he assuredly is.”
“Would you object to telling me how and where you came to know him?”
her visitor asked.
Public-domain text, read in full here on John Shaqi.
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