Female friendship -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Women -- Fiction
Martha had heard the sound of the princess’s voice only once or twice,
and on those occasions she had spoken French with what seemed to the
American girl an absolutely perfect accent. Once she had been near
enough to hear a little talk between the princess and Etienne, as he was
criticizing the former’s work with rather more humanness, Martha
thought, than he showed to the students generally; and once or twice
when the princess had been placed near the model’s little retiring-room,
Martha had had the joy of hearing her divinity give the summons, in the
usual atelier jargon, “C’est l’heure!” It seemed to the girl a most
lovable act of condescension on the part of her Serene Highness.
One day (it was the day after Etienne had told her that her drawing was
“not bad,” and the princess had smiled at her) Martha was working away,
when she became aware that an easel was being pushed into the unoccupied
space at her right hand. She had known that some one would soon take
possession of this place, and she did not even look round to see who it
was. Her whole attention was bent on making Etienne see that his
encouragement had yielded good fruit, even though she had made no verbal
acknowledgment of it. She went on drawing, with intense concentration,
until, weary at last, she put down her charcoal, and stood resting her
arms, with her hands on her hips. As she finished her scrutiny of her
work, and looked around, she started to discover that it was the
princess who was seated at the easel next her own, and was looking full
at her. As Martha, confused and delighted, encountered that gaze, the
beautiful lady’s lips parted in a friendly smile, and she whispered
gently,
“Bon jour.”
Martha crimsoned with pleasure as she returned the greeting, and then
both fell to work again. The princess was painting, laying on her color
in a broad and daring style that almost frightened her neighbor. Martha
watched her furtively while she crumbled her bread, and pretended to be
erasing and touching up certain points in her picture. It was a
bewildering delight to her to stand so close to the princess and see her
at work, and she was agreeably aware that the princess was also aware of
her, and perhaps even pleased at their being together.
When the time came for the model to rest, and the quiet of the room was
a little relieved by the whispered talk that sprang up among the
students as they waited, Martha felt that the princess had inclined
toward her a little, and was looking at her work. She put down as
childish the impulse that rushed up in her to cover the picture from
sight, or to say how bad she knew it was, and she stood very still and
very much embarrassed until the princess said again, in that exquisite
utterance of French subtleties,
“C’est bien difficile, n’est-ce pas?”
Martha answered her somehow--she never knew what.
Public-domain text, read in full here on John Shaqi.
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