But we can, I think, without danger of being too speculative, be a little more exact than this, and conceive of a physiological reason why the felt quality of an object changes when, instead of being apprehended in a mere sensation, the object is perceived as a thing. All consciousness seems to depend on a certain slowness of the process in the cortical cells. The rapider currents are, the less feeling they seem to awaken. If a region A, then, be so connected with another region B that every current which enters A immediately drains off into B, we shall not be very strongly conscious of the sort of object that A can make us feel. If B, on the contrary, has no such copious channel of discharge, the excitement will linger there longer ere it diffuses itself elsewhere, and our consciousness of the sort of object that B makes us feel will be strong. Carrying this to an ideal maximum, we may say that if A offer _no_ resistance to the transmission forward of the current, and if the current _terminate_ in B, then, no matter what causes may initiate the current, we shall get no consciousness of the object peculiar to A, but on the contrary a vivid sensation of the object peculiar to B. And this will be true though at other times the connection between A and B might lie less open, and every current _then_ entering A might give us a strong consciousness of A's peculiar object. In other words, just in proportion as associations are habitual, will the qualities of the suggested thing tend to substitute themselves in consciousness for those of the thing immediately there; or, more briefly, _just in proportion as an experience is probable will it tend to be directly felt._ In all such experiences the paths lie wide open from the cells first affected to those concerned with the suggested ideas. A circular after-image on the receding wall or ceiling is actually _seen_ as an ellipse, a square after-image of a cross there is seen as slant-legged, etc., because only in the process correlated with the vision of the latter figures do the inward currents find a pause (see the next chapter). We must remember this when, in dealing with the eye, we come to point out the erroneousness of the principle laid down by Reid and Helmholtz that true sensations can never be changed by the suggestions of experience. * * * * *