The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
General
The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
‘“What should you think of the idea of a story beginning in this
way?—Two people, boy and girl, or very young, going apart from one
another, pledged to be married after many years—at the end of the
book. The interest to arise out of the tracing of their separate
ways and the impossibility of telling what will be done with that
impending fate.”’
This idea my father relinquished, although he left distinct traces of
it in his tale; and in a letter to Mr. Forster, dated 6th August
1869, tells him:
‘I laid aside the fancy I told you of, and have a very curious and
new idea for my new story. Not a communicable idea (or the interest
of the book would be gone), but a very strong one, though difficult
to work.’
Mr. Forster then says that he immediately afterwards learnt that the
story was to be ‘the murder of a nephew by his uncle’; the
originality of which was to consist in the review of the murderer’s
career by himself at the close, when its temptations were to be dwelt
upon as if not he, the culprit, but some other man, were the tempted.
The last chapters were to be written in the condemned cell, to which
his wickedness, all elaborately elicited from him as if told of
another, had brought him. Discovery by the murderer of the utter
needlessness of the murder for its object, was to follow hard upon
commission of the deed; but all discovery of the murderer was to be
baffled till towards the close, when, by means of a gold ring which
had resisted the corrosive effects of the lime into which he had
thrown the body, not only the person murdered was to be identified,
but the locality of the crime and the man who committed it.’
Mr. Forster adds a little information as to the marriages at the
close of the book, and makes use of the expression ‘I think’ in
speaking of Neville Landless, as though he were not quite certain of
what he remembered concerning him. This ‘I think’ has been seized
upon by some of Mr. Forster’s critics, who appear to argue that
because he did not clearly recollect one detail of the story he may
therefore have been mistaken in the whole. But we see for ourselves
that Mr. Forster is perfectly well informed as to the nature of the
plot, and the fate of the two principal characters concerned, the
murdered and the murderer; and the only thing upon which he is not
positive is the ending of Neville Landless, to which he confesses in
the words ‘I think,’ thus making his testimony to the more important
facts the more impressive. If we have any doubts as to whether Mr.
Forster correctly stated what he was told, we have only to turn to
the story of _Edwin Drood_, and we find, as far as it goes, that his
statement is entirely corroborated by what we read in the book.
Public-domain text, read in full here on John Shaqi.
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