The Problem of 'Edwin Drood': A Study in the Methods of DickensNicoll, W. Robertson (William Robertson), Sir
General
The Problem of 'Edwin Drood': A Study in the Methods of Dickens
Nicoll, W. Robertson (William Robertson), Sir
Cathedrals in literature; Dickens, Charles, 1812-1870. Mystery of Edwin Drood; Murder in literature
I found all the dresses in the box complete—with one remarkable
exception. That exception was the dress of the old north-country
lady; the character which I have already mentioned as the best of all
my pupil’s disguises, and as modelled in voice and manner on her old
governess, Miss Garth. The wig; the eyebrows; the bonnet and veil;
the cloak, padded inside to disfigure her back and shoulders; the
paints and cosmetics used to age her face and alter her
complexion—were all gone. Nothing but the gown remained; a gaudily
flowered silk, useful enough for dramatic purposes, but too
extravagant in colour and pattern to bear inspection by daylight.
The other parts of the dress are sufficiently quiet to pass muster;
the bonnet and veil are only old-fashioned, and the cloak is of a
sober grey colour. But one plain inference can be drawn from such a
discovery as this. As certainly as I sit here, she is going to open
the campaign against Noel Vanstone and Mrs. Lecount, in a character
which neither of those two persons can have any possible reason for
suspecting at the outset—the character of Miss Garth.
What course am I to take under these circumstances? Having got her
secret, what am I to do with it? These are awkward considerations; I
am rather puzzled how to deal with them.
It is something more than the mere fact of her choosing to disguise
herself to forward her own private ends that causes my present
perplexity. Hundreds of girls take fancies for disguising
themselves; and hundreds of instances of it are related year after
year, in the public journals. But my ex-pupil is not to be
confounded, for one moment, with the average adventuress of the
newspapers. She is capable of going a long way beyond the limit of
_dressing herself like a man_, _and imitating a man’s voice and
manner_. She has a natural gift for assuming characters, which I
have never seen equalled by a woman; and she has performed in public
until she has felt her own power, and trained her talent for
disguising herself to the highest pitch. A girl who takes the
sharpest people unawares by using such a capacity as this to help her
own objects in private life; and who sharpens that capacity by a
determination to fight her way to her own purpose which has beaten
down everything before it, up to this time—is a girl who tries an
experiment in deception, new enough and dangerous enough to lead one
way or the other, to very serious results. This is my conviction
founded on a large experience in the art of imposing on my
fellow-creatures. I say of my fair relative’s enterprise what I
never said or thought of it till I introduced myself to the inside of
her box. The chances for and against her winning the fight for her
lost fortune are now so evenly balanced that I cannot for the life of
Public-domain text, read in full here on John Shaqi.
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