The Profligate: A Play in Four ActsPinero, Arthur Wing
General
The Profligate: A Play in Four Acts
Pinero, Arthur Wing
English drama -- 19th century; Man-woman relationships -- Drama; Married people -- Drama
Transcriber's Note: The following appears as a handwritten note in the
original text.
* * * * *
[Illustration: The Profligate
Dunstan Renshaw & Lord Dangars have been wild, and Dunstan is to marry
Leslie Brudenell, an innocent school girl. Knowing what Dunstan’s past
has been Hugh Murray won’t come to the wedding. Janet Preece, a girl
ruined & deserted by Dunstan enters & Murray says he will help find her
wronger.
Dunstan returned & in love with Leslie, go to Italy for their
honeymoon. The Michael Angelo sketches at their villa draw tourists,
among whom are Mrs Stonehay & her daughter, Irene, engaged to Lord
Dangars, and a school friend of Leslie. Leslie tries to prevent the
match. Dunstan goes to Rome for furnishings & meets Lord Dangars.
In the meantime Janet Preece comes to the villa, weak & weary. She
confesses she has been ruined & can not marry Wilfred, Leslie’s
brother. Leslie persuades her to tell Mrs. Stonehay how Lord Dangars
ruined her. Thinking he was the one but when the indictment comes to
Leslie’s horror Dunstan is found guilty. She sends him away.
Janet Preece goes for Australia, & leaves Wilfred, Hugh Murray tries to
look after Leslie, and Dunstan returns to her. Thinking she will spurn
him he takes poison. Leslie comes to him, forgiving calling “Husband!”]
_THE PERSONS OF THE PLAY_
WILFRID BRUDENELL
LESLIE, _his sister_
DUNSTAN RENSHAW
JANET PREECE
MR. CHEAL
HUGH MURRAY
MR. EPHGRAVES
LORD DANGARS
MRS. STONEHAY
IRENE, _her daughter_
WEAVER
PRISCILLA
_THE FIRST ACT_
“THIS MAN AND THIS WOMAN”
_THE SECOND ACT_
THE SWORD OF DAMOCLES
_THE THIRD ACT_
THE END OF THE HONEYMOON
_THE FOURTH ACT_
THE BEGINNING OF A NEW LIFE
THE PROFLIGATE
THE FIRST ACT.
THIS MAN AND THIS WOMAN.
_The scene is the junior partner’s room in the offices of MESSRS. CHEAL
and MURRAY, solicitors, Furnival’s Inn, Holborn. There is a gloomy
air about the place, with its heavy, old-fashioned furniture,
its oak-panelled walls and dirty white mantelpiece, and its
accumulation of black tin deed-boxes._
_HUGH MURRAY, a pale, thoughtful, resolute-looking man of about thirty,
plainly dressed, is writing intently at a pedestal-table. He pays
no heed to a knock at the door, which is followed by the entrance
of MR. EPHGRAVES, an elderly, sober-looking clerk, who places a
slip of paper before him._
HUGH MURRAY.
Lord Dangars.
EPHGRAVES.
Yes.
HUGH MURRAY.
Mr. Cheal always sees Lord Dangars.
EPHGRAVES.
Yes, sir, but Mr. Cheal is so put about by this morning’s very unusual
business that he doesn’t wish to see anybody till after the wedding.
HUGH MURRAY.
Very well.
EPHGRAVES.
Public-domain text, read in full here on John Shaqi.
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