The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edgesHalfer, Josef
Science
The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edges
Halfer, Josef
Marbled papers; Marbling (Bookbinding)
When we look over the different special branches of our trade, we find
everywhere great progress, which is even noticeable in the smallest
workshop. Already, these wonderful achievements have become common
property, only the art of marbling stood still on account of
insufficient instruction and it has not made any progress in the last
decade. This was due to a large number of men in our trade using
mechanical marblers to avoid those obstacles, which had hitherto offered
themselves in marbling.
The expectations which were placed on the mechanical marblers were not
fulfilled, because, after a short use, and when not carefully kept
clean, they became sticky from dust and color mixing so that they gave
but very indifferent productions. The necessity of continually cleaning
these mechanical marblers and their lack of uniformity are by no means
recommendable properties.
Mechanical marblers should be retired to small book-binderies for use
upon single books, where they are eminently in the right place, driving
away the primitive sprinkled or starched edges.
The interest which was shown in mechanical marblers is a proof that all
members of our trade, who use them, possess a liking for the marbling
art and would be zealous friends of the same, if they but knew of the
methods of marbling, that would give beautiful results without great
difficulty.
To judge rightly the value of a new invention, we have only to see,
whether it is introduced into the wholesale trade and is in continual
use. This is the best test of inventions and the only proper basis,
upon which to judge them correctly. We find the mechanical marblers
exclusively in the small shop, because they do not answer the demands of
the wholesale manufacturer in any way.
What the marbling art is able to offer, a person can only judge, who has
seen exemplary edges and to whom marbling is not a stranger. No kind of
edge, to which color is applied, can be compared to the effective
splendor of marbled edges. In thousands of variations it imitates nature
and delights the eye by its products. Although marbling has hardly
reached the middle rung of the ladder of its development, it to-day
stands unrivalled.
It is clear, that such an art should be fostered and nursed, if it is to
grow to its full development. But here the investigation of one man is
insufficient, a general interest is demanded and I hope, that this will
be aroused by my work. After this slight diversion I will now begin to
treat my real subject, the preparation of colors, and for that purpose,
I will divide the marbling art into three important parts: the size, the
color and the technical application.
Public-domain text, read in full here on John Shaqi.
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