The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edges — John Shaqi
The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edgesHalfer, Josef
Science
The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edges
Halfer, Josef
Marbled papers; Marbling (Bookbinding)
When the ground color has spread out to the desired dimension, throw on
the black a drop of blue, then yellow on the blue and red on the yellow
which must all expand to a diameter of 1-1/2 inches. Should this not be
the case then several drops of gall are to be added in the order
aforesaid. The three latter colors must be prepared by themselves, and
if, after throwing a drop of blue on the black, the former does not
reach the necessary expansion, gall must be added in drops until this is
achieved, then the yellow is manipulated in the same way.
When all colors are toned in regard to their power of expansion, then
and not before then, can the marbling commence.
With a little experience or practice the whole manipulation is finished
in less time than it takes to describe it.
Pour the size into the trough, take the top of it off with a thin piece
of wood which fits into the trough closely, smooth it over with the wood
so that the surface is free of bubbles, then throw on, by the aid of a
hair brush, the black in the direction of the length of the trough
towards the centre of the size in such a way that the first drop comes
in contact with the rim of the second, the second with that of the
third, the third with the fourth, etc., so that a ribbon from 4 to 5
inches wide is formed. Then throw on the blue in drops at both sides of
the black following the length of the trough, but the joining of the
drops must be avoided. Yellow is thrown on at both rims of the black
just as the blue was but in such a way that each drop of blue has a
yellow centre. Finally red is thrown on the yellow so that each drop of
yellow receives a red centre. By this means we produce a beautiful
combination of colors. Then take a thick knitting needle or a thin
stylus of wood and draw the colors in wavy lines through each other but
so that the stylus will pass the boundary of the black. By doing this
white lines will be produced between the colors, adding at the same
time, the fifth color white which causes the marble to attain a brighter
aspect. If then the comb is drawn across, beautiful scales will be
produced.
The books which have been wetted shortly before with alum water, are now
placed between boards or clamps and are dipped from right to left,
somewhat obliquely, into the trough so that the left end of the book
touches the size first, and then with a firm hand the book is inserted
towards the right until the right end has touched the size. This must be
quickly done to avoid the formation of air bubbles. As soon as the
marble edge is taken off, the superfluous size is carefully removed from
the edge by a moist, soft sponge so as to prohibit moisture from
penetrating too much into the leaves of the book. In this operation
great care must be exercised to prevent the marble edge being rubbed out
or spoiled.
Public-domain text, read in full here on John Shaqi.
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