The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edgesHalfer, Josef
Science
The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edges
Halfer, Josef
Marbled papers; Marbling (Bookbinding)
(SEE SPECIMEN PLATES.)
The comb or nonpareil marble belongs to those edges which are not so
frequently used, although it is superior in brightness and variety of
colors to other marbles, provided the combination of colors is a correct
one and there are no entire blotches of the same color present. For the
comb-marble in general use, four colors are mostly employed, namely
black, blue, yellow and red. To these white is added, but not as a
color, as it is formed by the stylus in drawing the colors.
For precaution's sake let me here repeat the description of the
preparation of colors: before using them shake well and then pour into
the different small vessels as much of the same as is necessary for one
marbling operation only, then put them away handy for use in the
following order, black, blue, yellow and red. Black is used for shading
all other colors, therefore, it should be thrown on first as the ground
color. As I mentioned before, the colors are to be prepared upon a small
surface of size so that the whole size may not be soiled, as it is
nearly unavoidable during the preparation to prevent several drops from
sinking. Whether the colors are suitable to each other as regards their
expanding power or whether the size is too thick or too thin for
comb-marble is determined in the following manner; draw off the size in
a dish, by a strip of paper, throw on a drop of black, which if size and
color are correctly proportioned must expand to a spot of 4 inches in
diameter. If the drop does not expand in this way the size is either too
thick or more gall must be added to the color. Add from 5 to 10 drops of
gall to the black color and repeat the experiment. If then the color
does not expand to the given diameter take a stylus and draw it in wavy
lines such as used for comb-marble. If the color can be drawn into
beautiful straight lines, without following the stylus, the size
possesses the normal consistency and more gall must be added to the
color, until it reaches the aforementioned diameter, but if the color is
drawn along by the stylus or cannot be easily cut by it, then the size
is too thick and must be carefully diluted with water. If, on the other
hand, the color in drawing with the stylus should run, then the size is
too thin. This can also be easily seen by the extraordinary quivering of
the size. Such a size cannot be used for comb-marble, either you must
add some thick size or you must use it for common marble edges. The
black color is the key to the success of a beautiful edge; the other
colors must be prepared according to the strength of the black.
Public-domain text, read in full here on John Shaqi.
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