The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edges — John Shaqi
The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edgesHalfer, Josef
Science
The progress of the marbling art, from technical scientific principles : $b with a supplement on the decoration of book edges
Halfer, Josef
Marbled papers; Marbling (Bookbinding)
The normal strength of size can be discerned without araometer or other
recommended apparatus. My opinion is that 2/5 of an ounce of good
carrageen moss to a quart of water are sufficient, as carrageen excels
all other glutinous bodies by the quantity of mucilage contained in it.
To test the correct strength of the size pour some of it into a flat
vessel, as a plate or dish, and throw a drop of color upon it; if the
color does not spread out, but rather sinks down a drop of ox-gall must
be added. Renew the test and so on until the color spreads out to about
2 inches, then take the stylus and draw the color into lines as in
producing comb-edges. If the size be too thick the color will be drawn
along by the stylus and cannot be cut clean through. On the other hand
if the size be too thin it can be seen immediately in its quivering and
the running of the color, which cannot be drawn into straight lines. In
the former case some clean water must be added to the size, in the
latter case which, if the size be well boiled, seldom occurs, thick size
must be added by boiling more. The real consistency of the size is so
easily learned in practice that a mere feeling with the fingers will be
sufficient.
The preparation of the colors is carried on separately on a small part
of the size, so that the whole quantity is not rendered useless. If the
colors are rightly prepared in proportion to their expansibilities in
relation to each other, the new size is to be poured into the trough and
the marbling may begin.
The mistake which is commonly made in marbling is, that too little
attention is paid to the size and color. Frequently the size is soiled
and the colors are spoiled by adding too much gall before an edge is
produced. For this there are generally three causes, either the size is
too fresh, too thick or the colors have been prepared on the same size
by which the edges are to be produced.
Each size which is boiled should only be taken into use after perfect
cooling and after several hours have elapsed, since in a warm state it
would not permit the colors to expand even by adding a large quantity of
gall. Only after the expiration of ten or twelve hours after boiling
will it have the correct quantity of mucilage and then only the size
possesses its full value. This time having elapsed, the size is filtered
through a cloth and is then ready for use.
A size when too thick, allows the colors to expand only with great
difficulty and demands a three fold larger quantity of gall than when it
possesses its normal consistency. It is very difficult to remove from a
too consistent size the remnants of colors.
They always unite with the size and in this way the size not only
becomes soiled but it is impregnated with a large quantity of gall. As I
said before, the colors should always be prepared on a separate size
which can be poured into a flat vessel as it is nearly impossible to
prevent several drops of color sinking to the bottom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account