The provincial American and other papersNicholson, Meredith
General
The provincial American and other papers
Nicholson, Meredith
American essays -- 20th century
Indianapolis was long a place of industry, thrift, and comfort, where
the simple life was not only possible but necessary. Its social
entertainments were of the tamest sort, and the change in this respect
has come only within a few years,--with the great wave of growth and
prosperity that has wrought a new Indianapolis from the old. If left
to itself, the old Indianapolis would never have known a horse show or
a carnival,--would never have strewn itself with confetti, or boasted
the greatest automobile speedway in the world; but the invading
time-spirit has rapidly destroyed the walls of the city of tradition.
Business men no longer go home to dinner at twelve o’clock and take a
nap before returning to work; and the old amiable habit of visiting for
an hour in an office where ten minutes of business was to be transacted
has passed. A town is at last a city when sociability has been squeezed
out of business and appointments are arranged a day in advance by
telephone.
The distinguishing quality of Indianapolis continues, however, to be
its simple domesticity. The people are home-loving and home-keeping. In
the early days, when the town was a rude capital in the wilderness, the
citizens stayed at home perforce; and when the railroad reached them
they did not take readily to travel. A trip to New York is still a much
more serious event, considered from Indianapolis, than from Denver or
Kansas City. It was an Omaha young man who was so little appalled by
distance that, having an express frank, he formed the habit of sending
his laundry work to New York, to assure a certain finish to his linen
that was unattainable at home. The more the Hoosier travels, the more
he likes his own town. Only a little while ago an Indianapolis man who
had been in New York for a week went to the theatre and saw there a
fellow-townsman who had just arrived. He hurried around to greet him at
the end of the first act. “Tell me,” he exclaimed, “how is everything
in old Indianapolis?”
Public-domain text, read in full here on John Shaqi.
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