We must content ourselves, then, with a plain statement of facts, or what have been received and transmitted as such, leaving matters of speculation to those who like them. When Schalken studied under the immortal Gerard Douw, he was a young man; and in spite of the phlegmatic constitution and unexcitable manner which he shared, we believe, with his countrymen, he was not incapable of deep and vivid impressions, for it is an established fact that the young painter looked with considerable interest upon the beautiful niece of his wealthy master. Rose Velderkaust was very young, having, at the period of which we speak, not yet attained her seventeenth year, and, if tradition speaks truth, possessed all the soft dimpling charms of the fail; light-haired Flemish maidens. Schalken had not studied long in the school of Gerard Douw, when he felt this interest deepening into something of a keener and intenser feeling than was quite consistent with the tranquillity of his honest Dutch heart; and at the same time he perceived, or thought he perceived, flattering symptoms of a reciprocity of liking, and this was quite sufficient to determine whatever indecision he might have heretofore experienced, and to lead him to devote exclusively to her every hope and feeling of his heart. In short, he was as much in love as a Dutchman could be. He was not long in making his passion known to the pretty maiden herself, and his declaration was followed by a corresponding confession upon her part. Schalken, however, was a poor man, and he possessed no counterbalancing advantages of birth or position to induce the old man to consent to a union which must involve his niece and ward in the strugglings and difficulties of a young and nearly friendless artist. He was, therefore, to wait until time had furnished him with opportunity, and accident with success; and then, if his labours were found sufficiently lucrative, it was to be hoped that his proposals might at least be listened to by her jealous guardian. Months passed away, and, cheered by the smiles of the little Rose, Schalken's labours were redoubled, and with such effect and improvement as reasonably to promise the realisation of his hopes, and no contemptible eminence in his art, before many years should have elapsed. The even course of this cheering prosperity was, however, destined to experience a sudden and formidable interruption, and that, too, in a manner so strange and mysterious as to baffle all investigation, and throw upon the events themselves a shadow of almost supernatural horror. Schalken had one evening remained in the master's studio considerably longer than his more volatile companions, who had gladly availed themselves of the excuse which the dusk of evening afforded, to withdraw from their several tasks, in order to finish a day of labour in the jollity and conviviality of the tavern.