The Purcell Papers — Volume 2Le Fanu, Joseph Sheridan
Science
The Purcell Papers — Volume 2
Le Fanu, Joseph Sheridan
Fantasy fiction, English; Ireland -- Fiction
But Schalken worked for improvement, or rather for love. Besides, he
was now engaged merely in sketching a design, an operation which,
unlike that of colouring, might be continued as long as there was light
sufficient to distinguish between canvas and charcoal. He had not then,
nor, indeed, until long after, discovered the peculiar powers of
his pencil, and he was engaged in composing a group of extremely
roguish-looking and grotesque imps and demons, who were inflicting
various ingenious torments upon a perspiring and pot-bellied St.
Anthony, who reclined in the midst of them, apparently in the last stage
of drunkenness.
The young artist, however, though incapable of executing, or even of
appreciating, anything of true sublimity, had nevertheless discernment
enough to prevent his being by any means satisfied with his work; and
many were the patient erasures and corrections which the limbs and
features of saint and devil underwent, yet all without producing in
their new arrangement anything of improvement or increased effect.
The large, old-fashioned room was silent, and, with the exception of
himself, quite deserted by its usual inmates. An hour had passed--nearly
two--without any improved result. Daylight had already declined, and
twilight was fast giving way to the darkness of night. The patience
of the young man was exhausted, and he stood before his unfinished
production, absorbed in no very pleasing ruminations, one hand buried
in the folds of his long dark hair, and the other holding the piece of
charcoal which had so ill executed its office, and which he now rubbed,
without much regard to the sable streaks which it produced, with
irritable pressure upon his ample Flemish inexpressibles.
'Pshaw!' said the young man aloud, 'would that picture, devils, saint,
and all, were where they should be--in hell!'
A short, sudden laugh, uttered startlingly close to his ear, instantly
responded to the ejaculation.
The artist turned sharply round, and now for the first time became aware
that his labours had been overlooked by a stranger.
Within about a yard and a half, and rather behind him, there stood what
was, or appeared to be, the figure of an elderly man: he wore a short
cloak, and broad-brimmed hat with a conical crown, and in his hand,
which was protected with a heavy, gauntlet-shaped glove, he carried a
long ebony walking-stick, surmounted with what appeared, as it glittered
dimly in the twilight, to be a massive head of gold, and upon his
breast, through the folds of the cloak, there shone what appeared to be
the links of a rich chain of the same metal.
Public-domain text, read in full here on John Shaqi.
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