The Persian, Mirza Gholan Rezah, repeated in his flute-like voice: "'O thou, to the arch of whose eyebrow the new moon is a slave;'" and, hearing the words as in a dream, Philip Ashe looked across the little circle to see a woman whose beauty smote him so strongly that he drew a quick breath. To his excited mood it seemed as if the phrase were intended to describe that beautifully curved brow, brown against the fair skin, and in his heart he said over the words with a thrill: "'O thou, to the arch of whose eyebrow the new moon is a slave!'" Half unconsciously, and as if he were taken possession of by a will stronger than his own, he found himself noting the soft curve and flush of a woman's cheek, the shell-texture of her ear, and the snowy whiteness of her throat. She sat in the full light of the window behind him, leaning as she listened against a pedestal of ebony which upheld the bronze bust of a satyr peering down at her with wrinkled eyes; her throat was displayed by the backward bend of her head, and showed the whiter by contrast with the black gown she wore. Philip's breath came more quickly, and his head seemed to swim. Sensitive to beauty, and starved by asceticism, he was in a moment completely overcome. Suddenly he felt the regard of his friend Maurice resting upon him with a questioning glance, and it was as if the thought of his heart were laid bare. Philip made a strong effort, and fixed his look and his attention upon the speaker, who was deep in oriental mysticism. "It is written in the Desatir," Mirza Gholan Rezah was saying, "that purity is of two kinds, the real and the formal. 'The real consists in not binding the heart to evil: the formal in cleansing away what appears evil to the view.' The ultimate spirit, that inner flame from the treasure-house of flames, is not affected by the outward, by the apparent. What though the outer man fall into sin? What though he throw stones at the glass of piety and quaff the wine of sensuality from a full goblet? The flame within the tabernacle is still pure and undefined because it is undefilable." Ashe looked around the circle in astonishment, wondering if it were possible that in a Christian civilization these doctrines could be proclaimed without rebuke. His neighbors sat in attitudes of close attention; they were evidently listening, but their faces showed no indignation. On the lips of Wynne Philip fancied he detected a faint curl of derisive amusement, but nowhere else could he perceive any display of emotion, unless--He had avoided looking at the lady in black, feeling that to do so were to play with temptation; but the attraction was too strong for him, and he glanced at her with a look of which the swiftness showed how strongly she affected him. It seemed to him that there was a faint flush of indignation upon her face; and he cast down his eyes, smitten by the conviction that there was an intimate sympathy between his feeling and hers.