Man-woman relationships -- Fiction; Marriage -- Fiction
She shook her head, laughing. “If I gave you to-morrow, you'd ask for
the day after. You're a greedy little boy, never contented.”
“But why must you go?” he asked.
“Because I'm expected. Lorie's thinking of buying a place called
Tree-Tops; it's at Curious Corner, near a village called Whitesheaves.
He's heard all kinds of splendid things about it. It's only thirty miles
from Oxford, so----.”
“So we'll meet quite often?”
She crouched her face against her shoulder and kept him waiting. “If you
don't try to kiss me,” she said. And then, seeing that he was going to
be melancholy, “You never know your luck. Cheer up!”
At the barges, when they had stepped out, Peter remembered. He turned to
the barge-man, “Mr. Hardcastle back? I don't see his punt.”
“'Asn't returned as I know of, Mr. Barrington. 'Ad a lady with 'im,
didn't 'e? Any message for 'im when 'e comes?”
Peter shook his head. It was growing dusk. Walking up through the
meadows, Cherry let him take her hand.
When they had fetched her luggage from the house in the little
courtyard, and he had seen her off at the station, he hurried down to
Folly Bridge and along the tow-path. Staring across the river to the
Calvary Barge, he could see someone moving. He called. A punt put out;
when it came alongside, the man looked up through the darkness.
“Can't take you across to-night, sir. Wouldn't be no use; the
meadow-gates is shut.”
“It's not that,” said Peter; “I only wanted to find out if Mr.
Hardcastle's come back.”
The man scratched his head. “Not yet, sir. Reckon he must 'a left 'is
punt higher up--by Magdalen Bridge, perhaps.”
“Perhaps. Well, it doesn't matter.”
He strolled away thoughtfully.
CHAPTER XL--MR. GRACE GOES ON THE BUST
Mr. Grace rose by stealth. Dawn had not yet broken. He groped his way
into his clothes in the darkness; he did not dare to light the gas.
Clutching his boots against his breast, with ridiculous caution for so
fat a man, he tiptoed down the stairs. In the passage he listened and
looked up, half expecting to see a head in curl-papers surveying him
from across the banisters. He heaved a sigh of relief. That fine bass
sound, like a trombone thrust out violently to its full length, was
his son-in-law, the ex-policeman; those flute-like notes, tremulous
and heart-stirrings were his daughter's musical contributions from
dreamland. All was well. He had not roused them.
In the stable he stuffed up the window with a sack and lit a lamp. Cat's
Meat raised his head and winked at him--winked at him solemnly. It was
a solemn occasion--they both felt it, this setting of a daughter at
defiance, while horse and master went on the bust.
Public-domain text, read in full here on John Shaqi.
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