Domestic fiction; Family -- England -- Midlands -- Fiction; Midlands (England) -- Fiction
“I know it was a great scandal: yes—a whole wagon, and they had girls,
you know, _filles_, naked, all the wagon-full, and so they came down to
our village. They came through villages of the Jews, and it was a great
scandal. Can you imagine? All the countryside! And my mother, she did
not like it. Gisla said to me, ‘Madame, she must not know that you have
heard such things.’
“My mother, she used to cry, and she wished to beat my father, plainly
beat him. He would say, when she cried because he sold the forest, the
wood, to jingle money in his pocket, and go to Warsaw or Paris or Kiev,
when she said he must take back his word, he must not sell the forest,
he would stand and say, ‘I know, I know, I have heard it all, I have
heard it all before. Tell me some new thing. I know, I know, I know.’
Oh, but can you understand, I loved him when he stood there under the
door, saying only, ‘I know, I know, I know it all already.’ She could
not change him, no, not if she killed herself for it. And she could
change everybody else, but him, she could not change him——”
Brangwen could not understand. He had pictures of a cattle-truck full
of naked girls riding from nowhere to nowhere, of Lydia laughing
because her father made great debts and said, “I know, I know”; of Jews
running down the street shouting in Yiddish, “Don’t do it, don’t do
it,” and being cut down by demented peasants—she called them
“cattle”—whilst she looked on interested and even amused; of tutors and
governesses and Paris and a convent. It was too much for him. And there
she sat, telling the tales to the open space, not to him, arrogating a
curious superiority to him, a distance between them, something strange
and foreign and outside his life, talking, rattling, without rhyme or
reason, laughing when he was shocked or astounded, condemning nothing,
confounding his mind and making the whole world a chaos, without order
or stability of any kind. Then, when they went to bed, he knew that he
had nothing to do with her. She was back in her childhood, he was a
peasant, a serf, a servant, a lover, a paramour, a shadow, a nothing.
He lay still in amazement, staring at the room he knew so well, and
wondering whether it was really there, the window, the chest of
drawers, or whether it was merely a figment in the atmosphere. And
gradually he grew into a raging fury against her. But because he was so
much amazed, and there was as yet such a distance between them, and she
was such an amazing thing to him, with all wonder opening out behind
her, he made no retaliation on her. Only he lay still and wide-eyed
with rage, inarticulate, not understanding, but solid with hostility.
Public-domain text, read in full here on John Shaqi.
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