The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
History
The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
By 'The Shelleyan Enthusiasts,' I mean vehement admirers of Shelley's
poetry, who, without ever thinking about his social views, delight in
imagining that the poet's character and career resembled his genius in its
grandeur, and his song in its loftiness and beauty.
By 'The Shelleyan Socialists' I mean those conscientious though misguided
persons, who, valuing Shelley for his mischievous social philosophy, and
thinking of Marriage somewhat as the pious John Milton thought of it in
the seventeenth century, and somewhat as the devout Martin Bucer thought
of it in the sixteenth century, regard with various degrees of approval or
tolerance Shelley's daring, though by no means original, proposal for
abolishing lawful marriage, and replacing it with the Free Contract, from
which each of the contracting parties is free to retire on the death of
their mutual affection, and who, in accordance with their various degrees
of approval or tolerance of the proposal, have contributed or are
contributing, by written words or by spoken words, either to the opinion
that society should adopt the proposal, or to the opinion that, without
abolishing lawful marriage, society should recognize the Free Contract as
a kind of marriage, to the extent of holding persons who live under it
conscientiously, as blameless or not greatly blameworthy for doing so.
The work of creating the romantic Shelley, and endowing him with personal
and moral graces, never conspicuous in the real Shelley, was begun not
long after the poet's death, when Mrs. Shelley and Mrs. Williams induced
Clint to compose the fancy picture, to which the world is, through the
engraver's art, indebted for its very erroneous conception of Shelley's
personal aspect. Who has not, through the engraver's art, gazed on the
face of that charming portraiture: a face so remarkable for gentle
delicacy and symmetrical loveliness? Gazing on the beauteous face, who has
not observed the rather large, straight, delicately-modelled,
finely-pointed nose?--The original of the lovely picture had a notably
unsymmetrical face, and a little turn-up nose.
Public-domain text, read in full here on John Shaqi.
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