The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Having replaced his unsymmetrical visage with a face of exquisite
symmetry, the cunning idolaters have introduced the poet as a gentleman of
high ancestral dignity, to a world ever too quick to honour men of ancient
gentility. His remote forefathers have been proclaimed persons of knightly
rank and virtue. His house (founded though it was by a comparatively
self-made man, who won his baronetcy years after the poet's birth) has
been declared a branch of the Michelgrove Shelleys. Cynics and humourists
may well smile to recall all that has been written of the poet's mediæval
ancestors and his shield of twenty-one quarterings, whilst they remember
at the same time that his grandfather was the younger son of a Yankee
apothecary, that his earlier people of the eighteenth and seventeenth
centuries were undistinguished though gentle persons, the squireens and
farmers, of whose claim to be rated with the great families of Sussex more
will be said in a subsequent chapter.
Endowing him with aristocratic descent, the Shelleyan idolaters have
discovered indications of nobility in the Sussex provincialisms that
qualified the utterances of the poet's singularly disagreeable voice, and
may be now and then detected in his outpourings of song: provincialisms to
remind the reader of Byron's scarcely perceptible Scotch accent, and the
Scotticisms of expression that are occasionally discoverable in his poems.
The Sussex peasantry seldom sound the final _g_ of words ending with that
letter, and Sussex gentlemen are sometimes heard to say 'Good mornin' to
one another.' Shelley was sometimes guilty of this provincialism. For
instance, in _Laon and Cythna_ (1817), and again in _Arethusa_ (1820), he
makes _ruin_ rhyme to _pursuing_. Mr. Buxton Forman regards the
provincialism as an indication of the poet's aristocratic quality. 'I need
not,' says the enthusiastic editor, 'tell the reader that, to this day, it
is an affectation current among persons who are, or pretend to be, of the
aristocratic caste, not only to drop the final _g_ in these cases
themselves, but to stigmatize its pronunciation by other people as
"pedantic."'
Public-domain text, read in full here on John Shaqi.
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