The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Getting her fanciful notions of the matter from her husband's lips, Mrs.
Shelley would have us believe that repugnance to fagging was the offence
which brought him so often to the block, and rendered him alike unpopular
with masters and boys. It is even averred that to put down fagging he
organized a conspiracy of the junior Etonians against the barbarous
practice. That no such conspiracy was begotten and fostered by Shelley is
certain; for the old Etonians, of whom Medwin and Middleton certainly
(Peacock and Hogg almost certainly) made inquiries about the matter, had
never heard anything of a movement which could not have failed to come to
their knowledge, had it ever been an incident of scholastic politics in
their time. The truth underlying these fictions is that Shelley, like most
junior boys, conceived a hatred of 'fagging,' suffered much from it, and
having, unlike most junior boys, the rashness to declare the hatred, paid
the penalty of his rashness, in being cuffed, licked, and silenced in
various painful and exasperating ways. This seems to be the whole of the
case, which he magnified in later time into a far greater affair. To
Peacock, he used to speak of the cruelties practised upon him by senior
boys at Eton, with a show of abhorrence only surpassed by his display of
indignation and disgust at the monstrous barbarities done him by Lord
Chancellor Eldon. In still later time he doubtless spoke even more
passionately to his wife of the fires of Etonian persecution. Men
sometimes say strange things to their wives; and, in certain moods, wives
are even quicker to believe the strange things, than in other moods to
suspect untruth in the commonplace things told them by their lords. After
brooding for twelve years or more over the sorrows and wrongs he endured
at Eton, the poet believed all he imagined about them.
Public-domain text, read in full here on John Shaqi.
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