The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)Jeaffreson, John Cordy
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The Real Shelley. New Views of the Poet's Life. Vol. 1 (of 2)
Jeaffreson, John Cordy
Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Englishmen like people to be truthful, and in the long-run never fail to
honour the man, who, having the courage of his opinions, proclaims them
fearlessly, even though they may quarrel with him for a season, because he
tells the truth too pugnaciously, or persists in telling them truths they
don't wish to think about. To commend him to lovers of truth, the
Shelleyan idolaters declare the poet to have been, from his boyhood till
his death, daringly, unfalteringly, unwaveringly, invariably truthful.
Lady Shelley insists that at Eton he was more truth-loving than other
boys,--was, indeed, chiefly remarkable for unswerving and audacious
veracity. In half-a-dozen different biographies he is extolled for his
intolerance of falsehood. Most of the misfortunes that befel him are
attributed to his habit of telling the truth in season and out of season.
It is, indeed, admitted even by some of his panegyrists that he now and
then made statements at variance with fact. But on these occasions he is
declared to have spoken erroneously through the delusive influence of a
too powerful imagination. The inordinately vigorous fancy, that enabled
him to write _Queen Mab_, caused him sometimes to imagine things to have
taken place, when they had not taken place. His mis-statements resulted
altogether from misconception, and should not be regarded as in any way
affecting the overwhelming evidence that he loved truth more than life;
that he made great sacrifices for the truth's sake, that he was, in fact,
a martyr for the truth. It is, however, all too certain that he uttered
mis-statements, for which the force of his imagination cannot in any
degree whatever have been accountable; and that, instead of being more
truth-loving than most men, he was phenomenally untruthful. Telling fibs
in order to escape momentary annoyance or gain a trivial advantage, he
could instruct other persons to tell fibs in his interest. He was singular
amongst men of his degree for being able to declare his intention of
practising deceit, and forthwith being as bad as his word. Instances of
this candour in falsehood are given in the ensuing pages. When he tells a
fib, a gentleman is usually too much ashamed of the matter to take any one
into his confidence on the subject. There were times, when no such sense
of shame troubled Shelley.
Public-domain text, read in full here on John Shaqi.
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