Man-woman relationships -- Fiction; Washington (D.C.) -- Social life and customs -- Fiction
She turned haughtily and looked over her shoulder, her smallest
attitude always seeming to defy him, while Fox had an uneasy feeling
that he was more acutely aware than usual to-night of the impossible
relations between the two. Meanwhile, the entrance to the long room was
already filling with the rapidly arriving throng which seemed, to the
casual observer, a mass of satin and jewels and lavishly exposed necks
and shoulders, with here and there a sprinkling of the black coats of
the men.
In spite of this influx, however, the young hostess stood a moment
longer looking at them with a glance of malicious amusement in her
drooping eyes, noting the whole effect of White’s large and rather
florid personality as he received the first enthusiastic advance,
responding genially to the murmur of congratulations. Then she turned
and swept across the wide intervening space, her small head thrown
proudly back, her whole grace of figure and dignity of pose--in
direct contradiction to her former wild gayety and audacity--at once
suggesting the _grande dame_ assuming her rightful and appropriate
place. But Fox found it impossible to as easily free himself from the
haunting sorrow of her beautiful haggard eyes. Sometimes she seemed
to him to be as fragile, as exquisite and as perishable as a bit of
delicately carved ivory. Yet he was forced to dismiss the analogy,
for ivory, no matter how marvellously carved in imitation of a living
creature, is inanimate, while she was the very personification of
unrest; it seemed rather that some wild and beautiful sprite must have
been enthralled into temporary captivity, and was wearing its way to
liberty through the exquisite clay which had been fashioned into human
shape for its mortal disguise, that the touch of inevitable sadness
which sometimes came upon her was the moment when the sprite relapsed
into the melancholia of prolonged captivity.
III
IT was a little past noon on Saturday when Rose Temple went to
Allestree’s studio accompanied by Aunt Hannah Colfax, a faithful
old negro woman who had been devoted to her from childhood and now
performed the dual duties of maid and duenna with all the complacence
and shrewdness of her age and color.
Passing the quaint show-windows of Daddy Lerwick’s curiosity-shop on
the first floor, in which were displayed--in amazing medley--pewter
cups, old line engravings, camel’s-hair shawls and horse-pistols,
they ascended the long narrow flight of stairs to the rooms above. On
reaching them, Aunt Hannah promptly ensconced herself and her knitting
under the window on the landing, while Rose pushed aside the portière
and entered the studio, unconsciously carrying with her some of the
crisp out-of-door atmosphere from whence she came and of which, in
her buoyant and radiant youth, she seemed a visible and triumphant
embodiment.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account