Man-woman relationships -- Fiction; Washington (D.C.) -- Social life and customs -- Fiction
“It’s perfectly angelic of me to come to-day, Robert,” she remarked, as
she greeted him, “for I’m not in the mood for a sitting and, of course,
I shall behave abominably.”
“And you wish me to be bowed in the dust with gratitude for your
angelic determination to behave abominably?” he replied dryly, looking
at her with all an artist’s perception of her beauty and a reluctant
consciousness that the glow in her eyes and the color in her cheeks
were purely responses to the keen winter air, and that neither had ever
been inspired by his presence nor called into being by his words.
Meanwhile Rose moved unconsciously before the long mirror, and removing
her hat, slightly and deftly rearranged her beautiful and luxuriant
hair as she answered him. “Why not?” she said banteringly; “you can’t
believe that any one likes to pose for an hour--even to be made into
one of your delightful pictures--but I’ll try to behave beautifully if
you’ll answer all my questions, instead of going on with your painting,
with a cigarette between your teeth and with the face of a sphinx, as
you did the other day!”
“When you asked a dozen questions I couldn’t answer!” Allestree was
selecting his brushes and contemplating the canvas on his easel with a
despairing eye.
He had already outlined Rose’s figure and decided on the desired pose,
but it seemed to him impossible to do justice to the exquisite charm of
her beauty. It was a simple picture; he had endeavored to preserve what
seemed to him the keynote of her personality, and had forborne to use
any of those effects of brilliant color, rich draperies and elaborate
accessories which a portrait painter commonly loves to lavish on a
beautiful subject; instead, he had made her figure, with its superb
poise, stand out in absolute simplicity. To Allestree she personified
all the glorious possibilities of youth, with its buoyant hopes, its
poignant truth, its magnificent faith in life, in the world, in itself.
But when he looked from her to the canvas--where he had hoped to
express something of all this--he felt deeply discouraged; his brush
might be touched with the magic of a deep if unspoken passion, but it
could never paint her as she appeared to him!
“I do not remember asking anything but the simplest questions,” she
remarked, as she took her seat in the carved armchair which he had
placed for her before a curtain of soft deep blue which seemed to
suggest an April sky; “only you didn’t want to answer them. I warn you
that I mean to be answered to-day! There’s nothing so abominable as
your silences.”
Allestree smiled a little as he began to paint, with a slow and
reluctant touch, feeling his way toward some achievement which might
at least foreshadow success. “I fancied there was a virtue in silence;
there’s a copy-book axiom to that effect,” he remarked; “besides, you
would never come here at all punctually if you are not left in doubt on
some mooted point. Mystery lures a woman as surely as magic.”
Public-domain text, read in full here on John Shaqi.
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