The Red and the Black: A Chronicle of 1830Stendhal
General
The Red and the Black: A Chronicle of 1830
Stendhal
Ambition -- Fiction; Bildungsromans; Church and state -- Fiction; France -- Fiction; Young men -- France -- Fiction
After the publication of _Le Rouge et Le Noir_ Stendhal was forced
by his financial embarrassment to leave Paris and take up the post
of consul at Trieste. Driven from this position by the intrigues of
a vindictive Church he was transferred to Civita Vecchia where he
remained till 1835, solacing his ennui by the compilation of his
autobiography and thinking seriously of marriage with the rich and
highly respectable daughter of his laundress. He then returned to Paris
where he remained till 1842, where he died suddenly at the age of
fifty-nine in the full swing of all his mental and physical activities.
His later works included, _La Chartreuse de Parme_, _Lucien, Leuwen_
and _Lamiel_, of which the _Chartreuse_ is the most celebrated, but
_Lamiel_ certainly the most sprightly. But it is on _Le Rouge et Le
Noir_ that his fame as a novelist is the most firmly based. It is
with this most personal document, this record of his experiences
and emotions that he lives identified, just as D'Annunzio will live
identified with _Il Fuoco_ or Mr. Wells with the _New Machiavelli_.
_Le Rouge et Le Noir_ is the greatest novel of its age and one of the
greatest novels of the whole nineteenth century. It is full to the brim
of intellect and adventure, introspection and action, youth, romance,
tenderness, cynicism and rebellion. It is in a word the intellectual
quintessence of the Napoleonic era.
HORACE B. SAMUEL, TEMPLE, Oct., 1913.
THE RED AND THE BLACK
A CHRONICLE OF 1830
CHAPTER I
A SMALL TOWN
Put thousands together less bad,
But the cage less gay.--_Hobbes_.
The little town of Verrières can pass for one of the prettiest in
Franche-Comté. Its white houses with their pointed red-tiled roofs
stretch along the slope of a hill, whose slightest undulations are
marked by groups of vigorous chestnuts. The Doubs flows to within some
hundred feet above its fortifications, which were built long ago by the
Spaniards, and are now in ruins.
Verrières is sheltered on the north by a high mountain which is one of
the branches of the Jura. The jagged peaks of the Verra are covered
with snow from the beginning of the October frosts. A torrent which
rushes down from the mountains traverses Verrières before throwing
itself into the Doubs, and supplies the motive power for a great number
of saw mills. The industry is very simple, and secures a certain
prosperity to the majority of the inhabitants who are more peasant than
bourgeois. It is not, however, the wood saws which have enriched this
little town. It is the manufacture of painted tiles, called Mulhouse
tiles, that is responsible for that general affluence which has caused
the façades of nearly all the houses in Verrières to be rebuilt since
the fall of Napoleon.
Public-domain text, read in full here on John Shaqi.
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