The Red and the Black: A Chronicle of 1830Stendhal
General
The Red and the Black: A Chronicle of 1830
Stendhal
Ambition -- Fiction; Bildungsromans; Church and state -- Fiction; France -- Fiction; Young men -- France -- Fiction
One has scarcely entered the town, before one is stunned by the din of
a strident machine of terrifying aspect. Twenty heavy hammers which
fall with a noise that makes the paved floor tremble, are lifted
up by a wheel set in motion by the torrent. Each of these hammers
manufactures every day I don't know how many thousands of nails. The
little pieces of iron which are rapidly transformed into nails by these
enormous hammers, are put in position by fresh pretty young girls. This
labour so rough at first sight is one of the industries which most
surprises the traveller who penetrates for the first time the mountains
which separate France and Helvetia. If when he enters Verrières, the
traveller asks who owns this fine nail factory which deafens everybody
who goes up the Grande-Rue, he is answered in a drawling tone "Eh!
it belongs to M. the Mayor."
And if the traveller stops a few minutes in that Grande-Rue of
Verrières which goes on an upward incline from the bank of the Doubs to
nearly as far as the summit of the hill, it is a hundred to one that he
will see a big man with a busy and important air.
When he comes in sight all hats are quickly taken off. His hair is
grizzled and he is dressed in grey. He is a Knight of several Orders,
has a large forehead and an aquiline nose, and if you take him all
round, his features are not devoid of certain regularity. One might
even think on the first inspection that it combines with the dignity
of the village mayor that particular kind of comfortableness which is
appropriate to the age of forty-eight or fifty. But soon the traveller
from Paris will be shocked by a certain air of self-satisfaction and
self-complacency mingled with an almost indefinable narrowness and lack
of inspiration. One realises at last that this man's talent is limited
to seeing that he is paid exactly what he is owed, and in paying his
own debts at the latest possible moment.
Such is M. de Rênal, the mayor of Verrières. After having crossed the
road with a solemn step, he enters the mayoral residence and disappears
from the eye of the traveller. But if the latter continues to walk
a hundred steps further up, he will perceive a house with a fairly
fine appearance, with some magnificent gardens behind an iron grill
belonging to the house. Beyond that is an horizon line formed by the
hills of Burgundy, which seem ideally made to delight the eyes. This
view causes the traveller to forget that pestilential atmosphere of
petty money-grubbing by which he is beginning to be suffocated.
He is told that this house belongs to M. de Rênal. It is to the
profits which he has made out of his big nail factory that the mayor
of Verrières owes this fine residence of hewn stone which he is just
finishing. His family is said to be Spanish and ancient, and is alleged
to have been established in the country well before the conquest of
Louis XIV.
Public-domain text, read in full here on John Shaqi.
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