France -- History -- Revolution, 1789-1799 -- Fiction; Historical fiction
"A servant, Monsieur."
"Whose?"
But he muttered that he did not know; and I did not press him. He
assisted me to change my dress; when I had done, he asked me at what
hour I needed the horses.
"The horses! For what?" I said, turning and staring at him.
"To return, Monsieur."
"But I do not return to-day!" I said in cold displeasure. "Of what are
you speaking? We came only yesterday."
"True, Monsieur," he muttered, continuing to potter over my dressing
things, and keeping his back to me. "Still, it is a good day for
returning."
"You have been reading this note!" I cried wrathfully. "Who told you
that----"
"All the town knows!" he answered, shrugging his shoulders coolly. "It
is, 'André, take your master home!' and, 'André, you have a hot-pate
for a master,' and André this, and André that, until I am fairly
muddled! Gil has a bloody nose, fighting a Harincourt lad that called
Monsieur a fool; but for me, I am too old for fighting. And there is
one other thing I am too old for," he continued, with a sniff.
"What is that, impertinent?" I cried.
"To bury another master."
I waited a minute. Then I said: "You think that I shall be killed?"
"It is the talk of the town!"
I thought a moment. Then: "You served my father, André," I said.
"Ah! Monsieur."
"Yet you would have me run away?"
He turned to me, and flung up his hands in despair.
"_Mon Dieu!_" he cried, "I don't know what I would have! We are ruined
by these _canaille_. As if God made them to do anything but dig and
work; or we could do without poor! If you had never taken up with
them, Monsieur----"
"Silence, man!" I said sternly. "You know nothing about it. Go down
now, and another time be more careful. You talk of the _canaille_ and
the poor! What are you yourself?"
"I, Monsieur?" he cried, in astonishment.
"Yes--you!"
He stared at me a moment with a face of bewilderment. Then slowly and
sorrowfully he shook his head, and went out. He began to think me mad.
Public-domain text, read in full here on John Shaqi.
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