French fiction -- Translations into English; Historical fiction
"You are behaving like a young man, and very heedlessly," said my
neighbor. "Look at Taillefer!--there, seated on that sofa at the corner
of the fireplace. Mademoiselle Fanny is offering him a cup of coffee.
He smiles. Would a murderer to whom that tale must have been torture,
present so calm a face? Isn't his whole air patriarchal?"
"Yes; but go and ask him if he went to the war in Germany," I said.
"Why not?"
And with that audacity which is seldom lacking to women when some action
attracts them, or their minds are impelled by curiosity, my neighbor
went up to the purveyor.
"Were you ever in Germany?" she asked.
Taillefer came near dropping his cup and saucer.
"I, madame? No, never."
"What are you talking about, Taillefer"; said our host, interrupting
him. "Were you not in the commissariat during the campaign of Wagram?"
"Ah, true!" replied Taillefer, "I was there at that time."
"You are mistaken," said my neighbor, returning to my side; "that's a
good man."
"Well," I cried, "before the end of this evening, I will hunt that
murderer out of the slough in which he is hiding."
Every day, before our eyes, a moral phenomenon of amazing profundity
takes place which is, nevertheless, so simple as never to be noticed.
If two men meet in a salon, one of whom has the right to hate or despise
the other, whether from a knowledge of some private and latent fact
which degrades him, or of a secret condition, or even of a coming
revenge, those two men divine each other's souls, and are able to
measure the gulf which separates or ought to separate them. They observe
each other unconsciously; their minds are preoccupied by themselves;
through their looks, their gestures, an indefinable emanation of their
thought transpires; there's a magnet between them. I don't know which
has the strongest power of attraction, vengeance or crime, hatred or
insult. Like a priest who cannot consecrate the host in presence of an
evil spirit, each is ill at ease and distrustful; one is polite, the
other surly, but I know not which; one colors or turns pale, the other
trembles. Often the avenger is as cowardly as the victim. Few men have
the courage to invoke an evil, even when just or necessary, and men are
silent or forgive a wrong from hatred of uproar or fear of some tragic
ending.
This introsusception of our souls and our sentiments created a
mysterious struggle between Taillefer and myself. Since the first
inquiry I had put to him during Monsieur Hermann's narrative, he had
steadily avoided my eye. Possibly he avoided those of all the other
guests. He talked with the youthful, inexperienced daughter of the
banker, feeling, no doubt, like many other criminals, a need of drawing
near to innocence, hoping to find rest there. But, though I was a long
distance from him, I heard him, and my piercing eye fascinated his. When
he thought he could watch me unobserved our eyes met, and his eyelids
dropped immediately.
Public-domain text, read in full here on John Shaqi.
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