The red laugh: fragments of a discovered manuscript — John Shaqi
The red laugh: fragments of a discovered manuscriptAndreyev, Leonid
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The red laugh: fragments of a discovered manuscript
Andreyev, Leonid
Russian fiction -- Translations into English
... Happily he died last week on Friday. I say "happily," and repeat
that my brother's death was a great blessing to him. A cripple with
no legs, palsied, with a smitten soul, he was terrible and piteous in
his senseless creative ecstasy. Ever since that night he wrote for
two months, without leaving his chair, refusing all food, weeping and
scolding whenever we wheeled him away from his table even for a short
time. He moved his dry pen over the paper with wonderful rapidity,
throwing aside page after page, and kept on writing and writing. Sleep
deserted him, and only twice did we succeed in putting him to bed for
a few hours, thanks to a strong narcotic, but, later, even a narcotic
was powerless to conquer his senseless creative ecstasy. At his order
the curtains were kept drawn over all the windows the whole day long
and the lamp was allowed to burn, giving the illusion of night, while
he wrote on, smoking one cigarette after another. Apparently he was
happy, and I never happened to meet any healthy person with such an
inspired face--the face of a prophet or of a great poet. He became
extremely emaciated, with the waxen transparency of a corpse or of an
ascetic, and his hair grew quite grey; he began his senseless work
a comparatively young man, but finished it an old one. Sometimes he
hurried on his work, writing more than usual, and his pen would stick
into the pages and break, but he never noticed it; at such times one
durst not touch him, for at the slightest contact he was overtaken
by fits of tears and laughter; but sometimes, very rarely, he rested
blissfully from his work and talked to me affably, each time asking the
same questions: Who was I, what was my name, and since when had I taken
up literature.
And then he would condescendingly tell, always using the same words,
what an absurd fright he had had at the thought that he had lost his
memory and was incapable of work, and how splendidly he had refuted the
insane supposition there and then by beginning his great immortal work
about the flowers and songs.
"Of course I do not count upon being recognised by my contemporaries,"
he would say proudly and unassumingly at the same time, putting his
trembling hand on the heap of empty sheets, "but the future--the
future--will understand my idea."
Public-domain text, read in full here on John Shaqi.
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