The red laugh: fragments of a discovered manuscriptAndreyev, Leonid
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The red laugh: fragments of a discovered manuscript
Andreyev, Leonid
Russian fiction -- Translations into English
He never once remembered the war or his wife and son; the mirage of
his endless work engrossed his attention so undividedly that it is
doubtful whether he was conscious of anything else. One could walk
and talk in his presence--he noticed nothing, and not for an instant
did his face lose its expression of terrible tension and inspiration.
In the stillness of the night, when everybody was asleep and he alone
wove untiringly the endless thread of insanity, he seemed terrible,
and only his mother and I ventured to approach him. Once I tried to
give him a pencil instead of his dry pen, thinking that perhaps he
really wrote something, but on the paper there remained only hideous
lines, broken, crooked, devoid of any sense. And he died in the night
at his work. I knew my brother well, and his insanity did not come as
a surprise to me: the passionate dream of work that filled all his
letters from the war and was the stay of his life after his return, had
to come into inevitable collision with the impotence of his exhausted,
tortured brain, and bring about the catastrophe. And I believe that
I have succeeded in reconstructing with sufficient accuracy the
successive feelings that brought him to the end during that fatal
night. Generally speaking, all that I have written down concerning the
war is founded upon the words of my dead brother, often very confused
and incoherent; only a few separate episodes were burnt into his brain
so deeply and indelibly that I could cite the very words that he used
in telling me them. I loved him, and his death weighs upon me like
a stone, oppressing my brain by its senselessness. It has added one
more loop to the incomprehensible that envelops my head like a web,
and has drawn it tight. The whole family has left for the country on a
visit to some relatives, and I am alone in the house--the house that
my brother loved so. The servants have been paid off, and only the
porter from the next door comes every morning to light the fires, while
the rest of the time I am alone, and resemble a fly caught between
two window-frames,[1] plunging about and knocking myself against a
transparent but insurmountable obstacle. And I feel, I know, that I
shall never leave the house. Now, when I am alone, the war possesses
me wholly and stands before me like an inscrutable mystery, like a
terrible spirit, to which I can give no form. I give it all sorts of
shapes: of a headless skeleton on horseback, of a shapeless shadow,
born in a black thundercloud, mutely enveloping the earth, but not one
of them can give me an answer and extinguish the cold, constant, blunt
horror that possesses me.
[1] In Russia the windows have double panes during the winter
for the purpose of keeping out the cold.--_Trans._
Public-domain text, read in full here on John Shaqi.
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