A simple reflection will suffice to show that my language, like a beacon of light, inwardly illumines my Thought, and renders visible to me every movement and every sense, only because this language is not exclusively my own. It is that same language through which I grasp the ancient authors of Italy. I read about Francesca da Rimini and Count Ugolino, and find them within me in the emotion of my throbbing soul. I read of Petrarch's golden-haired Laura, of Ariosto's Angelica, fair love of chivalrous men and the unhappy friend of youthful Medoro. I read of the cunning art whereby the Florentine secretary, in his keen speculative discourses, sought to establish the principalities and the state of Italy. I read of the many loves, sorrows, discoveries and sublime concepts which did not blossom forth from my spirit, but which, once expressed by the great men of my country, have, because of their merits, continued to exist in the imagination, in the intellect, in the hearts of Italians, and have thus constituted a literature, a light-shedding history which is the life of language, varied indeed and restless, but ever the same. This is the language which I first heard from the dear lips of my mother, which gradually and constantly I made my own by studying and reflecting on the books and on the conversations of those who for years, or days, or instants, were with me in my native town and exchanged with me their thoughts and their sentiments; the language which unites to me all those who, living or dead, together constitute this which I call and feel to be my own people. Yet I might want to break away with my speech from this glorious communion. I might try to demonstrate to myself that my speech is exclusively mine, and surely I would thus accomplish something. I would produce an exception which in this case too would serve to confirm the rule.