The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
Meanwhile on the 1st January, 1915, by which date old Artists and
others were beginning to arrive from the Colonies for training as
Officers, a third Battalion, “3/28th London” had been started (at first
severely restricted to two Companies under a Major), in which all
subsequent recruits had to be enrolled. It was placed under the command
of Lt.-Col. William Shirley, an old friend of the Corps, recently
retired from the Indian Army, who had been acting as Second-in-command
of 2/28th. He brought very special qualifications to the post, having
been for some years an Army Instructor in India, at Sandhurst, and
at Cambridge University, where on the outbreak of war he was holding
the appointment of Director of Military Studies. On occasions this
Battalion, which was principally officered in the first instance by
senior N.C.O’s sent home for the purpose from 1/28th in France, was
over 3,000 strong and in 3½ years had passed 9,352 recruits through
its ranks. After a period of recruit training in London, which
included the construction at Kenwood of a series of entrenchments and
dug-outs on the most up-to-date Continental models, it also went into
camp in Richmond Park, whence it was moved in July, 1915, to High
Beech in Epping Forest, thence to Hare Hall, Romford, and finally to
Berkhampstead, and on the absorption of the original 2nd Battalion by
the 1st it was re-numbered 2/28th.[3]
In May, 1915, instructions were issued for the formation within this
Battalion of a separate School of Instruction for newly gazetted
Officers of other Territorial regiments on similar lines to the School
in France and during the next few months upwards of 1,500 such Officers
passed through the School courses and examinations.
In November, 1915, the Regiment was officially recognised by Army
Order[4] as an Officers’ Training Corps, and the Home Battalion became
the 2nd Artists Rifles O.T.C.
In March, 1916, its separate School, then at Gidea Park, was converted
into four Companies of cadets to which recruits were passed on for
training as Officers after receiving a preliminary military training
in the ranks of the other four Companies, the whole being under the
command of Colonel Shirley and run by Artists’ Officers and Sergeant
Instructors. In August, 1916, by which date the organisation of Officer
Cadet Battalions throughout the United Kingdom had been perfected, the
four Cadet Companies were separated from Colonel Shirley’s Battalion
and transformed into “No. 15 (Artists Rifles), O.C.B.” which was placed
under the command of Lt.-Col. E. St. L. Shaw (1st East Surrey) an
invalided Regular Officer, with a Staff of Artists and other Officers
and Sergeant Instructors. Thenceforth recruits enrolled in 3/28th were
sent, on completion of their preliminary training, indiscriminately
to No. 15 or to any other O.C.B. in which there were vacancies at the
moment, while No. 15 as part of the general scheme of these O.C.B.’s
received Cadets from other units besides the Artists.
Public-domain text, read in full here on John Shaqi.
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