The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914 — John Shaqi
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
Appended to this Preface is an abridged account of their adventures
in the line for which the Editor is indebted to Captains Money and
Hewitt and to Col. Goldthorp, whose contribution is of especial value
as shewing the impressions, necessarily unbiassed by preconceived
Regimental associations, of a “foreign” C.O. when in command of a
Battalion of the Artists. His very live account of a modern battle will
be of absorbing interest, both to those who have shared this experience
and to those who have not been through the mill.
THE SECOND BATTALION.
Prior to the departure of the original Battalion overseas, a second
(Reserve) Battalion, distinguished as “2/28th London,” had been raised
under the command of Col. Horsley, the late Commanding Officer of
the Artists, who was assisted by Officers transferred from the First
Battalion (1/28th) or promoted from the ranks. Enrolment started on
the 31st August, 1914, and within a week 5,000 would-be recruits had
applied for admission, ‘Varsity Blues, rowing men and athletes of every
description, mostly without any previous military training. Uniforms
and arms were for a time unobtainable, but soon every one of the 1,000
selected recruits had succeeded in purchasing a khaki outfit at ruinous
prices, from somewhere, and presently the authorities unearthed a large
supply of ancient Martini-Henry carbines. The sole equipment then
provided was a regulation water-bottle for each man but with no means
of attaching the same to the person of the soldier. Mufti overcoats
were worn en banderole and rations were carried in neat brown paper
packets tied on to waist-belts of every hue and shape.
After three or four months recruit training with only 50 modern rifles
available, interspersed with daily journeys into Kent of strong
working parties to assist in the construction of “the last ditch,” the
Battalion was properly equipped and armed and moved to Roehampton,
thence to camp in Richmond Park where they also initiated a valuable
machine gun school.
Like many similar units this Reserve Battalion was eventually drained
dry in supplying drafts to its 1st Battalion overseas. It also
furnished Officers for the New Armies and some other Territorial
Units. Col. Horsley was then appointed to the command of the 104th
Provisional Battalion for Home Defence, stationed at the Tower of
London, and eventually finished up his 42 years service in the Artists
by proceeding overseas to a Staff appointment as Area Commandant at
Englebelmer in France.
THE THIRD BATTALION AND NO. 15 (ARTISTS’ RIFLES) O.C.B.
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