The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914 — John Shaqi
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
Presently orders came through that the attack preceded by heavy barrage
on one or two selected places--a sugar factory on the Bapaume-Cambrai
Road being one--would be resumed at 2.15.
Everything up the line was as good as we could hope for, and the 188th
Brigade was getting ready to carry on. They were to go through us, and
on to Anneux and as much further as they could get. We then returned to
Brigade H.Q. where we found Prentice and his transport--all safe and
sound, and rather surprised to be so near the battle. Thoughts of hot
food for the men seemed to be within the range of possibility provided
the resumed attack went off all right. I saw the Brigadier again, told
him that we were all ready for our original third objective, but he
said we need not move at all, as the 188th were going through us, where
we were, to their objective. The rest had been cut out and was being
dealt with by the Artillery alone, so I went back post-haste, but was
not in time to stop many men getting on, especially those at the front,
who had numerous scores to pay off by this time.
The 2.15 show was a complete success, so much so, that the 188th were
able to move right up to Anneux without any trouble: then they bumped
into plenty, I believe, but that is outside the story of the Artists.
Shortly afterwards the Divisional General came round our line, thanking
the men for the splendid victory, and still more for the magnificent
resistance they had made when checked. I had been told beforehand that
if we got the crest of the hill--which was our first objective--and
stuck to it, we should have won the day whatever happened. As it was
we got beyond and held on, against Machine-Gun fire, Trench Mortars,
and Bombing, for hours, until the whole situation cleared all along the
line; a hard enough test for any troops and an achievement in itself
that would have made any Battalion’s reputation.
Late in the evening we got orders to spend the night on our battle
positions. Besch and I took a look round the places where we had been
held up earlier in the day and in every case there was no lack of
evidence of the supreme courage of our men. Before settling down we
buried all our dead: there seemed to us to be a lot, but in comparison
to the total casualties of the day, and in relation to the value of the
work accomplished, there were really few. So ended one of the greatest
days in this War and my first experience of the Artists in action. I,
for one, shall never forget the 27th September, 1918, and I can only
pray to be forgiven if I in any way failed them during that day, or
subsequently: they never failed me once.[14]
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account