The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914 — John Shaqi
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914Higham, S. Stagoll (Samuel Stagoll)
History
The regimental roll of honour and war record of the Artists' Rifles (1/28th, 2/28th and 3/28th battalions, the London Regiment T.F.) : $b Commissions, promotions, appointments and rewards for service in the field obtained by members of the corps since 4th August, 1914
Higham, S. Stagoll (Samuel Stagoll)
Great Britain. Army. London Regiment. (County of London) Battalion (Artists Rifles), 28th -- History; World War, 1914-1918 -- Campaigns -- France; World War, 1914-1918 -- Regimental histories -- Great Britain
There were one or two incidents in the battle which are, perhaps,
worth noting. One was the wonderful view we got from our first
objective--how we could see right across the Bapaume-Cambrai Road
the Germans directing their fire, both field and machine-guns, and
watching the battle. From one of the forward posts we actually saw the
officer-in-charge and one of the guns knocked out, and we could see the
Guards trying to get forward and being held up, as we were.
As a matter of interest in training, I found in a large square hole
(which had probably been intended for a concrete shelter) Capt. Hall
with several men, including a Lewis Gun team. It was a very warm
corner, and there he was directing the fire of his men and the Lewis
Gun team as if he was carrying out a Range Practice in the most
approved Hythe manner. It is a point which is so apt to be forgotten
in training, that if your instruction has been good, you will
unconsciously do the right thing in a tight corner. The mere fact of
real good fire-orders at such a time had a most wonderfully steadying
effect.
What struck me largely about the Boche prisoners was that they did
not seem to be a bit sorry to be captured, that they worked well and
hard in helping the wounded, and that a large number of them spoke
English very well. Our attack along the Hindenburg Line in a southerly
direction must have been an entire surprise to the enemy, as we found
their machine-guns were mounted facing west, and that when our attack
down the line developed from the north they had had to dismantle all
their guns.
I think that a large portion of our success should be attributed to
the Artillery; the barrage was marvellous, especially the swing to
enable us to change our direction. This took 79 minutes, and it was not
particularly pleasant for us to wait the time, but it obviously fooled
the Boche.
Another thing which came to our help that day (which has rarely
happened in connection with the English) was that the wind and the
weather were perfect for us, and as for our smoke barrages, the smoke
went just where it should have gone. But by far and away the greatest
satisfaction to me was to know that whatever happened afterwards,
I could depend absolutely upon the Battalion in every conceivable
circumstance. To take a new Battalion into an action of that size,
without ever having been in the line at all with them before, is a very
anxious job.
{ _C Co. (Capt. Young)_----_A Co. (Capt. Goacher)_.
_ORDER OF BATTLE_{_D Co. (Lieut. Elliott)_----_B Co. (Lieut. Ashford)_.
{ _Hd.-Qrs. Co. (Lieut. Morris.)_
_The Artists were detailed to follow the front-line troops and
then swing with the Artillery on to the Hindenburg Line._
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