Mrs. Emsworth had not been gone more than ten minutes or so before Bilton was shown up. He appeared to be in a particularly well-satisfied humour this morning, and as he moved about the room, noting with his quick eye the stamp of femininity which Mrs. Emsworth had already impressed into the garnishing of the place, he whistled softly to himself. In his hand he carried a small jewel-case with her initials in gold upon the top. As always, in the relaxed mood the true man came to the surface; for a man is most truly himself, not at great moments of emergency or when a sudden call is made on him, but when his ambitions for the time being are gratified, when he is pleased with himself and his circumstances--above all, when he is alone. Thus, though just now the hard eagerness of his face was a little softened, yet its alertness hardly dozed; and though he had made, he felt sure, a great success in bringing Dorothy Emsworth to America, he hardly allowed himself even this momentary pause of achievement, but had called this morning to talk over with her the details of a protracted tour through the principal cities of the States. True son of his country, he realized that to pause spelled to be left behind. As his manner was, Bilton did not sit down, but kept walking about, as if not to be caught idle either in mind or body. As in many of his countrymen, the habit of perpetually being ready and eager to snap up an opportunity had become a second nature to him, so that it was far more an effort to him to rest than to work. Working was as natural to him as breathing; to cease to work required the same sort of effort as to hold the breath. To him in his profession as impresario any movement, any glimpse at a room or a picture, could perhaps suggest what in the fertile alchemy of his mind might be transformed into a 'tip,' and he looked with special attention at two Watteau prints which hung on the walls; for in the second piece which Mrs. Emsworth was to produce under his direction a certain scene was laid in the gardens at Versailles, and the note of artificial naturalness had to be struck in the scenery as Watteau and no one else had struck it. Big trees cut formally and square in their lower branches, but with the topmost boughs left unpollarded; fountain in the centre, quite so, and a glimpse, just a glimpse, of the terrace of the palace with the two bronze fountains beneath the trees.