The Relentless CityBenson, E. F. (Edward Frederic)
General
The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
He stood a moment before the fireplace with eyes half closed, conjuring
up the scene, and in particular seeing it with his mind's eye as a
setting to that incomparable woman in whom, professionally, at this
juncture, he was so deeply interested, to whom he was so managerially
devoted, but of whom in other respects he was so profoundly weary. For
a year he had been wildly in love with her, for another year he had
slowly cooled towards her, and now it required all his steadiness of
head and incessantly watchful will not to betray his tedium. Also in
years he was now, though still only half way through the thirties, old
enough in mind to wish to settle down. His capabilities for passionate
attachments were a little cooling, and, with a cynical amusement at
himself, he was beginning to realize that married domesticity, even
as morals taught, was, though for other reasons, the placid river-bed
into which the babbling mountain-streams of youth must eventually empty
themselves. Rather bathos, perhaps, but he realized fully that everyone
gets in life what they themselves bring to it. The only limitations
imposed on a man are those which his own nature makes.
But these unedifying moralities did not occupy him long. They were the
background to his thoughts, just as the terrace of Versailles was the
background for the picture he was forming. In the foreground of the
picture stood Mrs. Emsworth; on the terrace stood another figure, Sybil
Massington.
He had let his cigar go out as he revolved these things in front of
the two Watteau pictures, and then rose to drop it in the fireplace.
A letter in an envelope torn once in half lay there, and he stooped
and picked it up, laid the two pieces side by side on the table, and
read it through. Then he put the pieces in his pocket, and, with
that praiseworthy attention to detail which throughout his life had
contributed so largely to his success, he took from the table a sheet
of paper, folded it inside an envelope, tore it in half, and replaced
the pieces in the grate where he had found the others. The whole thing
was quickly and naturally done; it was merely one among a thousand
million other cases in which his mind was ready to take advantage
of any possible opportunity that Fate might cast in his way. The
torn letter might conceivably at some future date be useful to him.
Therefore he kept it. It is no use to guard against certainties--such
was his gospel--for certainties in this life are so few as to be
practically negligible. But he who guarded against contingencies and
provided for possibilities was the winner in the long-run.
This done, he dismissed the matter from his mind, and, in order not to
let the moments pass without seed, sketched out in some detail the plan
of the stage as suggested by the two Watteau prints. He was deep in
this when Mrs. Emsworth entered. The 'shiffong' suited her admirably.
Public-domain text, read in full here on John Shaqi.
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