The Religions of Japan, from the Dawn of History to the Era of MéijiGriffis, William Elliot
Religion
The Religions of Japan, from the Dawn of History to the Era of Méiji
Griffis, William Elliot
Japan -- Religion
If this be the position in China, something not very far from it is
found in Japan to-day. Whatever may be the Buddhism of the few learned
scholars, who have imbibed the critical and scientific spirit of
Christendom, and whatever be the professions and representations of its
earnest adherents and partisans, it is certain that popular Buddhism is
both ethically and vitally in a low state. In outward array the system
is still imposing. There are yet, it may be, millions of stone statues
and whole forests of wayside effigies, outdoors and
unroofed--irreverently called by the Japanese themselves, "wet gods."
Hosts upon hosts of lacquered and gilded images in wood, sheltered under
the temple tiles or shingles, still attract worshippers. Despite
shiploads of copper Buddhas exported as old metal to Europe and America,
and thousands of tons of gods and imps melted into coin or cannon, there
are myriads of metal reminders of those fruits of a religion that once
educated and satisfied; but these are, in the main, no longer to the
natives instruments of inspiration or compellers to enthusiasm. In this
time of practical charity, they are poor substitutes for those hospitals
and orphan asylums which were practically unknown in Japan until the
advent of Christianity.
Kōbō's smart example has been followed only too well by the people
in every part of the country. One has but to read the stacks of books of
local history to see what an amazing proportion of legends, ideas,
superstitions and revelations rests on dreams; how incredibly numerous
are the apparitions; how often the floating images of Buddha are found
on the water; how frequently flowers have rained out of the sky; how
many times the idols have spoken or shot forth their dazzling rays--in a
word; how often art and artifices have become alleged and accepted
reality. Unfortunately, the characteristics of this literature and
undergrowth of idol lore are monotony and lack of originality; for
nearly all are copies of Kōbō's model. His cartoon has been
constantly before the busy weavers of legend.
It may indeed be said, and said truly, that in its multiplication of
sects and in its growth of legend and superstition, Buddhism has but
followed every known religion, including traditional Christianity
itself. Yet popular Buddhism has reached a point which shows, that,
instead of having a self-purgative and self-reforming power, it is
apparently still treading in the steps of the degradation which
Kōbōbegan.
The Seven Gods of Good Fortune.
Public-domain text, read in full here on John Shaqi.
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