This whole passage is found among the fragments attributed to Homer. This sentiment of the power of poesy and the subjects chosen by the bard is entirely in the spirit of antiquity, when mythology and heroism were the favourite themes. Achilles is described by Homer as diverting the uneasiness of his mind by warlike odes which he accompanied on the lyre, Il. ix. 189: Arriving soon Among the Myrmidons, their chief they found Soothing his sorrows with the silver-framed Harmonious lyre, spoil taken when he took Æetion’s city: with that lyre his cares He soothed, and glorious heroes were his theme. COWPER. [155] _The servant of the Muse._] Laws were always promulgated in verse, and often publicly sung; a practice which remained in many places long after letters were become common: morality was taught: history was delivered in verse. Lawgivers, philosophers, historians, all who would apply their experience or their genius to the instruction and amusement of others, were necessarily poets. The character of poet was therefore a character of dignity: an opinion even of sacredness became attached to it: a poetical genius was esteemed an effect of divine inspiration and a mark of divine favour: and the poet, who moreover carried with him instruction and entertainment, not to be obtained without him, was a privileged person, enjoying by a kind of prescription the rights of universal hospitality. MITFORD. Yet in the vulgar tradition, Homer is represented as a mere ballad-singing mendicant! and whoever attempts to refute, by the light of historic evidence and of reason, this or similar absurdities of modern ignorance, when sanctioned by popular prejudice, must expect to be set down as a dealer in paradoxes. [156] _First of all beings Chaos was._] The ancients were in general materialists, and thought the world eternal. But the mundane system, or at least the history of the world, they supposed to commence from the deluge. The confusion which prevailed at the deluge is often represented as the chaotic state of nature: for the earth was hid, and the heavens obscured, and all the elements in disorder. BRYANT. [157] _Or in the dark abysses of the ground._] Tartarus is considered by Brucker in his epitome of the Theogony (Historia Critica Philosophiæ, tom. 1.) as the third birth. Tartarus is, indeed, after introduced as a person, but in the singular number: the word is here used in the plural, and I conceive it to mean simply the cavities of the earth, and to be connected with the preceding sentence.