The Remains of Hesiod the Ascræan, Including the Shield of Hercules: Translated into English rhyme and blank verse; with a dissertation on the life and æra, the poems and mythology of Hesiod, and copious notes.Hesiod
General
The Remains of Hesiod the Ascræan, Including the Shield of Hercules: Translated into English rhyme and blank verse; with a dissertation on the life and æra, the poems and mythology of Hesiod, and copious notes.
Hesiod
Heracles (Greek mythological character) -- Poetry; Hesiod -- Translations into English
The proem is a rhapsody in honour of the Muses. It opens with a
description of their solemn dances on mount Helicon, and of the hymns
which they sing during their nightly visitation of earth. The poet then
relates their appearance to himself, and his consequent inspiration;
describes their employments in heaven; their birth and dignity; their
influence on kings or magistrates, minstrels and bards; and finishes
with invoking their assistance and proposing his subject. The COSMOGONY,
or origin of nature, then commences, and blends into the THEOGONY, or
generation of gods, which is continued through the whole poem, and
concludes with the race of demi-gods, or those born from the loves of
goddesses and mortals. The following legendary traditions are interwoven
episodically with the main subject. I. The imprisonment of his children
by URANUS or HEAVEN in a subterranean cave; and the consequent conspiracy
of EARTH and CRONUS, or SATURN. II. The concealment of the infant
JUPITER. III. The impiety and punishment of Prometheus. IV. The creation
of PANDORA, or WOMAN. V. The war of the GODS and TITANS. VI. The combat
of JUPITER with the giant TYPHÆUS.
THE THEOGONY.
Begin we from the Muses oh my song!
Muses of Helicon: their dwelling-place
The mountain vast and holy: where around
The altar of high Jove and fountain dark
From azure depth, [142]they lightly leap in dance
With delicate feet; and having duly bathed
Their tender bodies in Permessian streams,
[143]In springs that gush’d fresh from the courser’s hoof,
Or blest Olmius’ waters, many a time
Upon the topmost ridge of Helicon
Their elegant and amorous dances thread,
And smite the earth with strong-rebounding feet.
Thence breaking forth tumultuous, and enwrapt
With the deep mist of air, they onward pass
Nightly, and utter, as they sweep on high,
A voice in stilly darkness beautiful.
They hymn the praise of Ægis-wielding Jove,
And Juno, named of Argos, who august
In golden sandals walks: and her, whose eyes
Glitter with azure light, Minerva born
From Jove: Apollo, [144]sire of prophecy,
And Dian gladden’d by the twanging bow:
Earth-grasping Neptune, shaker of earth’s shores:
Majestic Themis and Dione fair:
[145]And Venus twinkling bland her tremulous lids:
Hebe, her brows with golden fillet bound:
Morn, the vast Sun, and the resplendent Moon:
Latona and Japetus: and him
Of crooked wisdom, Saturn: and the Earth:
And the huge Ocean, and the sable Night
And all the sacred race of deities
Existing ever. They to HESIOD erst
Have taught their stately song: the whilst he fed
His lambs beneath the holy Helicon.
And thus the goddesses, th’ Olympian maids
Whose sire is Jove, first hail’d me in their speech;
“Shepherds! that tend in fields the fold; ye shames!
[146]Ye fleshly appetites! the Muses hear:
’Tis we can utter fictions veil’d like truths,
Public-domain text, read in full here on John Shaqi.
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